Theatre review: Avenue Q

After Robert Lopez, Jeff Marx (both contributing music and lyrics) and Jeff Whitty's (book) Avenue Q closed (for the third time) its original West End production, my favourite musical didn't stay away too long, with smaller-scale productions and tours meaning I and a group of similarly addicted friends could keep getting our live fix. It's been away for a few years though, meaning what I think is my fourteenth time seeing it live is in fact a 20th-anniversary production of it opening at the Noël Coward (the first show to play there after the theatre had been renamed.) Now at a reduced-capacity Shaftesbury Theatre while its upper level is being repaired, original director Jason Moore returns for a show that was always being tweaked to keep up with the times, and has now had a few extra rewrites to bring it into 2026.

Theatre review: Frozen

In what will with any luck be the start of me regularly going to the theatre with actual, human friends again, it's a twice-postponed trip with my resident Disney© queens Phill and Alex, and third time lucky takes us to the refurbished* Theatre Royal Drury Lane for Frozen. The wildly popular, very loose adaptation of The Snow Queen comes to the stage in a production directed by Michael Grandage and designed by Christopher Oram, but the look and feel of Jennifer Lee (book,) Kristen Anderson-Lopez and Robert Lopez' (music and lyrics) show never strays too far from the original movie. Understandably so - the film and its signature song are notoriously like catnip to little girls, so this probably isn't the show to get all experimental with†". Elsa (Samantha Barks) is heir to the throne of the Scandinavian-inspired kingdom of Arendelle, but since her parents' death she's been a recluse, even from her beloved younger sister Anna (Stephanie McKeon.)

Re-review: The Book of Mormon

Nearly two years after opening in London, The Book of Mormon remains one of the West End's hottest tickets. This was my first return trip to the show since I first saw it - you can read my original review here - and this time it was my Christmas present to my sister. American actors A.J. Holmes and Billy Harrigan Tighe have taken over the lead roles of Elders Cunningham and Price, and Kevin Harvey has replaced Giles Terera as the Elders' guide to the Ugandan village, Mafala Hatimbi, but otherwise the main cast have all stuck around - although tonight Lucy St Louis was understudying Alexia Khadime as Nabulungi and doing a good job of it, with a powerful voice in the funny but touching "Sal Tlay Ka Siti." Although the show was never overlong in the first place, it now seems to have shed an extra 15 minutes from when I last saw it, making it zip past all the more speedily and satisfyingly.

Theatre review: Avenue Q

It's the musical that won't go away - it was resident at three different West End theatres, then got a large-scale UK tour, a fringe debut last year and now a smaller-scale UK tour kicks off in Greenwich (its history in That New York has similarly seen it bounce on and off Broadway for years.) Anyone who's been following this blog for a while knows Avenue Q is my favourite musical and, Hamlet excepted, the show I've seen more times than any other - tonight's visit was my thirteenth. For anyone who's somehow missed the fun, Avenue Q is the story of Princeton (understudy Will Hawksworth tonight,) who moves into the titular New York neighbourhood just after graduating from college, hoping it'll be the first step in finding his purpose in life. What he gets instead is a funny, rude and touching lesson in making the best out of what life throws at him.

Theatre review: Avenue Q

I generally appreciate even the darker areas theatre takes me to, but it can be nice to have some pure fun on the horizon. And after a straight run of shows about Islamophobia, mistreated immigrants, civil war, the potential breakup of the nation, capital punishment, disturbed teenagers, nervous breakdowns and rape, you can bet I was looking forward to the return of my all-time favourite musical to the London stage: With a book by Jeff Whitty and songs by Robert Lopez and Jeff Marx, Avenue Q is the adult Sesame Street whose fans just wouldn't let it disappear from the West End, where it ran for four-and-a-half years at three different theatres (during which time I fitted in eleven trips) before finally packing its bags in 2010. Just two-and-a-half years years later and it's back, getting snapped up by Upstairs at the Gatehouse the second the fringe rights became available.

Theatre review: The Book of Mormon

PREVIEW DISCLAIMER: The Book of Mormon invites London critics in next week.

The Book of Mormon has had a lot to live up to. Avenue Q is one of my all-time favourite shows, so its co-creator Robert Lopez teaming up with South Park's Matt Stone and Trey Parker for a new musical was an exciting prospect even before the rave reviews and Tony awards started flooding in. Add to that the fact that when I went to New York in 2011 I tried a number of times, unsuccessfully, to get a ticket to the Broadway production via its daily lottery (which is being replicated for the West End run) and this has been a long time coming. I went along with much of the same group of people I made several trips to Avenue Q with (bar Vanessa, who realised she'd get disowned if she saw it before her daughter) and the good news is it wasn't long before Evil Alex's loud, rather hysterical laugh started up.