Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Jacqueline Tate. Show all posts
Showing posts with label Jacqueline Tate. Show all posts
Thursday, 20 October 2022
Theatre review: My Neighbour Totoro
Hayao Miyazaki's 1988 cartoon My Neighbour Totoro is a hugely beloved film that's totally embedded in Japanese culture, but the popularity of Studio Ghibli films worldwide means any new adaptation has the potential to be a hit anywhere - something the RSC's stage version had already proved to an extent before it opened, with record-breaking advance ticket sales at the Barbican. It still had to live up to those expectations of course, and this Japanese-British co-production sets out the "British" side of that deal from the start, with a visual gag correcting the spelling of "Neighbour" from the American dub of the film. Like the titular massive furry bear/rabbit/owl... thing itself, Tom Morton-Smith's adaptation has to be huge and unwieldy, utterly bizarre, a little bit creepy but strangely lovable. No pressure.
Labels:
Ai Ninomiya,
Ami Okumura Jones,
Basil Twist,
Dai Tabuchi,
Haruka Abe,
Hayao Miyazaki,
Jacqueline Tate,
Joe Hisaishi,
Kimie Nakano,
Mei Mac,
Nino Furuhata,
Phelim McDermott,
Tom Morton-Smith,
Tom Pye
Tuesday, 16 August 2016
Theatre review: Allegro
Much as I have issues with Richard Rodgers and Oscar Hammerstein II - mainly to do
with the varied and jaw-dropping ways they find to be offensive, and the fact that
"Some Enchanted Evening" on a loop for three hours doesn't constitute a musical -
there's no denying the position they occupy in American musical theatre -
essentially regarded as its creators - and the love for them worldwide. So the fact
that one of their shows has never actually been staged in the UK before has to make
you wonder why, while still being fascinated to find out what it's actually like.
Their third collaboration after big hits Oklahoma and Carousel,
Allegro tanked on Broadway in 1947 but Southwark Playhouse's perennial
re-interpreter of classic musicals, Thom Southerland, and his choreographer Lee
Proud throw everything at this attempt to make sense of the story of Joseph Taylor
Jr (Gary Tushaw,) a talented small-town doctor who's disillusioned when he takes a
high-paying job in a big city.
Friday, 2 May 2014
Theatre review: Avenue Q
It's the musical that won't go away - it was resident at three different West End theatres, then got a large-scale UK tour, a fringe debut last year and now a smaller-scale UK tour kicks off in Greenwich (its history in That New York has similarly seen it bounce on and off Broadway for years.) Anyone who's been following this blog for a while knows Avenue Q is my favourite musical and, Hamlet excepted, the show I've seen more times than any other - tonight's visit was my thirteenth. For anyone who's somehow missed the fun, Avenue Q is the story of Princeton (understudy Will Hawksworth tonight,) who moves into the titular New York neighbourhood just after graduating from college, hoping it'll be the first step in finding his purpose in life. What he gets instead is a funny, rude and touching lesson in making the best out of what life throws at him.
Subscribe to:
Posts (Atom)


