A delayed trip to the Donald and Margot Warehouse, where James Macdonald's production of The Way of the World has been sadly overshadowed by the reason the performance I was originally due to see was cancelled: Actor Alex Beckett's unexpected death. Performances of William Congreve's Restoration comedy have now resumed with Robin Pearce replacing Beckett as Waitwell, and the rest of the run being dedicated to the late actor's memory. Unfortunately it proves a pretty poor memorial, as Macdonald has produced an interminable, impenetrable and woefully unfunny evening whose cast try hard to inject some energy into it but only succeed in small doses. I don't think I've seen Congreve's play before but I suspect it has to take a lot of the blame itself; the lengthy first scene in which Mirabel (Geoffrey Streatfeild) and Fainall (Tom Mison) exchange exposition about numerous similarly-named characters we haven't met yet sets a lugubrious tone the rest of the play struggles to get out of, and left me none the wiser about who anyone was by the time they turned up.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Robin Pearce. Show all posts
Showing posts with label Robin Pearce. Show all posts
Friday, 20 April 2018
Friday, 16 November 2012
Theatre review: People
Inevitably one of the biggest theatrical events of the year was always going to be the premiere of the new Alan Bennett play, the latest in his long-standing collaboration with the National Theatre's Artistic Director, Nicholas Hytner. People also reunites Bennett with Frances de la Tour, who had memorable supporting roles in both The History Boys and The Habit of Art, and here gets her turn centre stage. The setting is a crumbling country pile somewhere in South Yorkshire. The house and most of its contents are, in theory, priceless, but death duties have left little money to actually take care of the place, and it's now an unheated mausoleum, occupied by two batty old ladies: Dorothy (de la Tour,) the owner, who lives a virtual hermit's life and only keeps up with "current" events via a pile of newspapers from 1982; and her even battier friend Iris (Linda Bassett,) who sits in a world of her own knitting scarves for the troops (Dorothy's informed her there's a war on in the Falklands.)
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