Friday, 5 March 2021
Hecuba, Carr returns to the aftereffects of the Trojan War to look at the Greek side of the story. The play focuses on the first major murder of the Oresteia, but like Robert Icke she first looks back ten years to the inciting event: The sacrifice of Iphigenia.
Sunday, 28 February 2021
Friday, 19 February 2021
Red Velvet, team up with her husband Adrian Lester; in Hymn he plays another charismatic character, although perhaps not this time with quite the same depth to back it up. We meet Lester's Gil giving the eulogy at his father's funeral, a family man who built up a small business empire of dry cleaners and stationers. Whether the father Gil describes was quite the open book he thought is put into question immediately after the service though, with the revelation that Benny (Danny Sapani,) only six days younger than Gil, may be his half-brother: It was only when she saw the death notice in the paper that Benny's mother admitted the identity of the married man who got her pregnant then abandoned her.
Monday, 15 February 2021
Tuesday, 9 February 2021
Stage-to-screen review: Romeo and Juliet (Shakespeare's Globe / Playing Shakespeare with Deutsche Bank)
Macbeth, and now for their 2019 offering, and a 90-minute edit can't be a bad call for a play I tend to lose my patience with, can it? Certainly playing the story at speed can only accentuate the way Romeo (Nathan Welsh) and Juliet (Charlotte Beaumont) decide they're in love with each other having barely met.
Sunday, 31 January 2021
Ma Rainey's Black Bottom was exactly five years ago; the fictional story of the real-life "Mother of the Blues" who weaponised diva behaviour feels much more recent to me than that. The 1920s instalment of August Wilson's Century Cycle (better known as the Pittsburgh Cycle, except for the fact that this one play isn't set there) has been one of the more notable stage adaptations for the screen in recent months, unfortunately notable in large part for being Chadwick Boseman's final onscreen role. He plays Levee, horn player for the superstar singer, and the most cocky, vocal and jumpy member of the four-strong band waiting in a rehearsal room for her to arrive and begin recording an EP of some of her most famous songs. This includes the one which gives the play its title, and for which Levee has prepared a new arrangement.
Tuesday, 26 January 2021
Sunday, 17 January 2021
Lord of the Flies through the gift of dance for example, or Drew McOnie turning Jekyll & Hyde into Sexy Sexy Little Shop of Horrors. So with my theatregoing still of the virtual variety, and both the BBC and Sky Arts having had a lot of ballet in their scheduling over the last few months, Northern Ballet's take on Dracula, still available on iPlayer, seemed to fit the bill. This is very much David Nixon's vision for Bram Stoker's story as he directs, choreographs and designs the costumes for the classic vampire tale.
Sunday, 10 January 2021
A new year starts much as the old one ended, in lockdown and with theatres trying their best to remain not only above water financially, but alive in the public's minds. Most high-profile has been the National Theatre, which late last year launched a major new international streaming platform, NTatHome. Of their initial selection of shows available, I've already seen everything except their kids' offering I Want My Hat Back, but if I was going to revisit one I'd already seen and reviewed, Nicholas Hytner's Helen Mirren-starring production of Phèdre would seem the obvious choice: It dates from 2009, making it the oldest recording currently on the service, which means that with over a decade since seeing this live I can treat it more or less with fresh eyes (all I really remembered was that Dominic Cooper's attempt to give "Phèdre" the correct French pronunciation ended up with him repeatedly calling the leading lady "veg.")