Theatre review: Abigail's Party

Mike Leigh's name might always be brought up in relation to a kind of bleak, gritty realism, but it's his 1977 black comedy Abigail's Party that remains his most famous, beloved, and frequently-revived play. Of course we never see Abigail or her party - that's going on a few doors down in a street in suburban Essex. Instead we're at what's meant to be a much more sophisticated, adult soirée at the home of Beverley (Tamzin Outhwaite) and Laurence (Kevin Bishop,) who've asked round new neighbours Angela (Lauren Patel) and Tony (Omar Malik) to welcome them to the neighbourhood. An awkward fifth wheel in the group is Abigail's mother Sue (Pandora Colin,) who's been invited along so she can escape the teenage chaos going on in her own house. But with Beverley in charge things don't stay much calmer here for long.

Stage-to-screen review:Everybody's Talking About Jamie

I loved Everybody's Talking About Jamie when it first transferred to London, but I did worry how long it would last without star names attached. As it turns out, it eventually took a pandemic to knock it off the West End stage, and while its recent return to the Apollo was short, its London run is officially only "paused," while a UK tour goes on, and a North American premiere is on the cards. And then there's this from the original creative team of writers Dan Gillespie Sells (music) and Tom MacRae (book and lyrics,) director Jonathan Butterell and choreographer Kate Prince, who've decided to turn it into something incredibly rare and precious: A movie musical without James Corden in it. There's a new, slightly starrier cast taking on the central roles, although a few of the original stage performers get cameo appearances, as do Jamie and Margaret Campbell, the story's original inspiration.