Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Saturday, 31 July 2021
Theatre review: My Night With Reg
the 2010s revival at the Donmar Warehouse got West End transfers. The only question is, was seven years (it feels a lot less) since last seeing the play too soon for me to revisit it?
Thursday, 29 July 2021
Theatre review: Oleanna
unflushable theatrical turd of 2019, so the return of his much-more lauded 1992 play about the battle of the sexes inevitably raises the question of how well its arguments will have aged. After all, Mamet isn't exactly best-known for his great roles for women, and although Oleanna is largely thought of as one of his better plays it was met with as much controversy as it was praise, for reasons that become apparent in the final moments. I haven't seen the play before, so the transfer of Lucy Bailey's production from Bath to the Arts Theatre is an opportunity to fix that: Jonathan Slinger is John, a University lecturer in... I think maybe Philosophy, although his love of waffling self-importantly means it's often anyone's guess what he's actually talking about. It's no wonder his student Carol (Rosie Sheehy) seems so confused. Set entirely in John's office, Oleanna opens with Carol arriving for an unscheduled meeting.
Tuesday, 27 July 2021
Theatre review: Operation Mincemeat
PREVIEW DISCLAIMER: Although Operation Mincemeat premiered a couple of years ago, it has been so extensively rewritten during lockdown that the Southwark Playhouse run has now been reclassified as a Work In Progress.
Sunday, 25 July 2021
Radio review: Rodgers and Hart and Hammerstein
stories whose lead characters have killed a man, honestly it's no big deal why does everyone keep going on about it, who hasn't killed a few people, if anything it's a positive and you should definitely marry off your daughter to him. Sadly this particular bit of psychological insight isn't one we get in what is for the most part a highly sympathetic look at three men who between them largely defined what the Broadway musical was.
Tuesday, 20 July 2021
Theatre review: Anna X
"What if Sergey Lazarev's performance of 'You Are The Only One' at the 2016 Eurovision Song Contest, but roughly 30 times longer?"
Sunday, 18 July 2021
Theatre review: The Comeback
Saturday, 17 July 2021
Theatre review: Last Easter
Wednesday, 14 July 2021
Stage-to-screen review: Out West
Tuesday, 13 July 2021
Theatre review: Pippin
Sunday, 11 July 2021
Theatre review: The Tempest
(Shakespeare's Globe & Tour)
As You Like It, but of course the flipside to that is that I don't come into it with quite as high expectations. So while it's still true that these smaller-scale shows suffer from the lack of a full crowd (the make-do-and-mend style is endearing but really gets much of its energy from audience interaction,) this is two hours that go by pretty briskly. Prospero (Mark Desebrock) was deposed as Duke of Milan after showing a complete lack of interest in doing the job, and fled to sea with only his baby daughter and a set of magic books that he used to obtain vast powers. On arriving on a small, almost-deserted island, he used these powers to enslave the inhabitants Ariel (Emma Ernest) and Caliban (Stephenson Ardern-Sodje,) before waiting years for a chance to take revenge on the usurpers and reclaim his dukedom.
Thursday, 8 July 2021
Stage-to-screen review: and breathe...
Tuesday, 6 July 2021
(Peter Capaldi/Zoë Wanamaker cast)
Nick Payne label on the blog,) I'll still introduce the original high concept. Along with a whole new high concept for this West End revival in particular: The two-hander has four rotating casts, starting with Sheila Atim and Ivanno Jeremiah, followed by Zoë Wanamaker and Peter Capaldi, then Omari Douglas and Russell Tovey, and finally Anna Maxwell Martin and Chris O'Dowd, each hoping to bring a unique angle to the story. And yes, I was very tempted to book for all four, but after a year of no theatre, a summer of the same play four times might have been too much of a shock to the system, so I decided to pick two that seemed the furthest from the casts I've seen before.
Sunday, 4 July 2021
Theatre review: Romeo & Juliet (Shakespeare's Globe)
Saturday, 3 July 2021
Theatre review: Bach & Sons
Thursday, 1 July 2021
Theatre review: As You Like It
(Shakespeare's Globe & Tour)
the Sean Holmes version still playing, A Midsummer Night's Dream can only be seen in London if and when it wins one of these votes. But the other two have as usual been given a few regularly scheduled dates at the Globe, and my first encounter with this year's touring ensemble is an enduring musical favourite that matches the productions' actor-musician aesthetic, As You Like It. Set mainly in a rather idyllic Forest of Arden, most of the characters are nobles and courtiers banished from court after a coup, who hang out in separate groups, sometimes in disguise, despite the fact that they're all either related or already knew each other and could have easily just reestablished their old dynamics.
Posted by nick730 at 21:47 No comments:
Labels: Andrew D Edwards, Anna Crichlow, As You Like It, Brendan O'Hea, Colm Gormley, Emma Ernest, Katy Secombe, Mark Desebrock, Sara Lessore, Stephenson Ardern-Sodje, Tom Chapman, William Shakespeare
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