on his current UK tour as the first English play with an openly gay protagonist. It’s something that productions in more prudish eras must have tried to downplay – I imagine the whole LOOK THEY JUST DON’T LIKE FLATTERERS, OK? thing would have been made a big deal of – but it must have been a stretch, because it’s hardly subtext. Nick Bagnall’s production certainly doesn’t leave much room for doubt as to why, as soon as Edward II (Tom Stuart) takes the throne, his lords and ministers immediately take so violently against him.
Thursday, 14 February 2019
Tuesday, 12 February 2019
Monday, 11 February 2019
Sunday, 10 February 2019
Bears in Space. In Tom DeTrinis’ production, writer Lane also plays Walt, who’s reacting badly to a breakup, and when his hamburger is delivered with pickles he didn’t ask for it’s the final straw that leads him to attempt suicide. It’s only the fact that he’s tried to overdose on hair-restoration pills that means he fails, and is alive to discover that when his ex-boyfriend moved out, he advertised the spare room on Craigslist.
Friday, 8 February 2019
Thursday, 7 February 2019
one of Dyer’s ancestors. Although I don’t suppose Dyer brings that royal connection up much. As well as the casting, two of Pinter’s more accessible short works have to be part of the draw; although given who we’re talking about “accessible” still means a lot of very dark humour and an almost indescribable sense of existential menace. This menace gets personified in A Slight Ache, the 1957 radio play which forms the first act you slaag.