Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Monday, 29 March 2021
Stage-to-screen review: BKLYN
Friday, 26 March 2021
Stage-to-screen review: INSIDE
Hymn this is only my second live-streamed show of 2021, and perhaps it had an extra touch of nostalgia for me as the Orange Tree is where I saw my last in-person show before the first lockdown. Their streaming commision is six short plays from a mix of writers who've worked there before and others who haven't; presented in two triple-bills, they're reactions to the last year's events under the rough themes of Inside/Outside. Directed by Anna Himali Howard, the INSIDE collection is first.
Tuesday, 23 March 2021
Stage-to-screen review: The Picture of Dorian Gray
Monday, 15 March 2021
Stage-to-screen review: One Night In Miami...
Ma Rainey's Black Bottom, which I found good but lacking some of the dimensions of the original; today I tackled Amazon Prime's offering, One Night In Miami... which if anything has the opposite effect of building up the play's world. Part of that is simply down to time: Ma Rainey cut at least an hour off the original play's running time, but when I saw Kemp Powers' play at the Donmar Warehouse in 2016 it ran at a tight 90 minutes, meaning this nearly two-hour film is actually longer than the original. Powers himself adapts the screenplay for Regina King's film, which takes place in 1964, hours after a boxer still known as Cassius Clay (Eli Goree) first becomes heavyweight champion of the world.
Wednesday, 10 March 2021
Radio review: The Two Gentlemen of Verona
The Two Noble Kinsmen I listened to a few weeks ago, using the same cast and production team.
Friday, 5 March 2021
Rehearsed reading review: Girl on an Altar
Hecuba, Carr returns to the aftereffects of the Trojan War to look at the Greek side of the story. The play focuses on the first major murder of the Oresteia, but like Robert Icke she first looks back ten years to the inciting event: The sacrifice of Iphigenia.
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