Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Wednesday, 28 December 2016
Theatre review: She Loves Me
Posted by nick730 at 19:00 No comments:
Labels: Alastair Brookshaw, Callum Howells, Cory English, Dominic Tighe, Jerry Bock, Joe Masteroff, Mark Umbers, Matthew White, Paul Farnsworth, Scarlett Strallen, Sheldon Harnick, Vincent Pirillo
Monday, 26 December 2016
Theatre review: Hedda Gabler
Lazarus existing, Ivo van Hove has a chance to redeem himself with the classic reinterpretations he does best. He brings a production he originally staged at his own theatre to the National, as Ibsen's Hedda Gabler gets a new translation by (inevitably) Patrick Marber, and Ruth Wilson plays Hedda, married for six months and already deeply regretting it. The daughter of a celebrated and wealthy general, she grew up the centre of attention, including from numerous male suitors. After telling a series of seemingly innocuous lies, and in a sudden moment of paranoia about getting older, she agreed to marry the academic Tesman (Kyle Soller.) By the end of their extended honeymoon she's realised she'll never care about the esoteric subjects her husband fixates on, while he'll never be able to keep her in the style she's accustomed to unless he gets a professorship.
Friday, 23 December 2016
Dance review: The Red Shoes
Thursday, 22 December 2016
Theatre review: "Art"
Wednesday, 21 December 2016
Theatre review: Saint Joan
Nell Gwynn she stepped in, and now that Cush Jumbo's one-season stint on The Good Wife has turned into a spin-off, she's left another juicy lead free for Arterton to grab with both hands, taking over as Bernard Shaw's Saint Joan at the Donmar. Following Henry V's military success, much of France is ruled by England, and though they fight back the odds always seem to be against the French army. That's until Joan's combination of guileless charm and forcefulness makes them take the gamble of letting a young girl who claims to hear the voices of saints, take command of the military. She quickly does everything she promised, getting the Dauphin (Fisayo Akinade) his overdue coronation, and control of much of his country. But with her job done, Joan is a liability.
Posted by nick730 at 23:23 No comments:
Labels: Arthur Hughes, Bernard Shaw, Duncan McLean, Elliot Levey, Fisayo Akinade, Gemma Arterton, Hadley Fraser, Jo Stone-Fewings, Josie Rourke, Niall Buggy, Richard Cant, Robert Jones, Rory Keenan
Tuesday, 20 December 2016
Theatre review: Platinum
Monday, 19 December 2016
Theatre review: Wild Honey
Wildefire, Wild and now Wild Honey, Michael Frayn's version of Chekhov's unfinished Platonov. This revival was due to be directed by Howard Davies, who sadly died at the beginning of rehearsals, and his replacement should be well-versed in the play: Jonathan Kent directed a different version of Platonov as part of his Young Chekhov trilogy at the National only a few months ago. There's another connection to that day-long epic, as Geoffrey Streatfeild returns to the one play out of the three that he didn't appear in this summer. Frayn's play is a shorter, broader version of the story of Platonov (Streatfeild,) a provincial schoolteacher who's spent the winter in virtual hibernation with his wife Sasha (Rebecca Humphries) and their baby son.
Friday, 16 December 2016
Theatre review: All the Angels
Farinelli and the King has so far been the big hit. Nick Drake's All the Angels is a returning show from the Dominic Dromgoole era, with a look at a particularly famous piece of music: Handel (David Horovitch) was best-known for opera but had had some embarrassing flops when the libretto to Messiah came his way. A religious choral work seemed a welcome change from opera, an art form he felt had betrayed him, while an invitation to do a residency in Dublin got him away from the scene of his humiliation, as well as a much-needed paycheck.
Thursday, 15 December 2016
Theatre review: Dreamgirls
Wednesday, 14 December 2016
Theatre review: Rent
Friday, 9 December 2016
Theatre review: Aladdin (Lyric Hammersmith)
Cinderella's Prince Charming Karl Queensborough in the title role of Aladdin. It's all change elsewhere though, most notably in the script where, after three years, Tom Wells has left (probably because he had two new plays of his own this year to worry about) and former co-writer Joel Horwood has returned without his writing partner Morgan Lloyd Malcolm. Panto of course always has a bit of a topical edge and so here the story's introduced by the villain - Nigel David Donald Theresa Boris Abanazer (Vikki Stone,) who lives in Fulhammerboosh, where the rich have all the power and the poor are vilified.
Thursday, 8 December 2016
Theatre review: Once in a Lifetime
Posted by nick730 at 22:48 No comments:
Labels: Amanda Lawrence, Buffy Davis, Claudie Blakley, Daniel Abelson, George S. Kaufman, Harry Enfield, Hyemi Shin, John Marquez, Kevin Bishop, Lizzy Connolly, Lucy Cohu, Moss Hart, Otto Farrant, Richard Jones
Monday, 5 December 2016
Theatre review: Dr Angelus
Saturday, 3 December 2016
Theatre review: Sheppey
Thursday, 1 December 2016
Theatre review: The Little Matchgirl and Other Happier Tales
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