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Showing posts with label Paul Farnsworth. Show all posts
Showing posts with label Paul Farnsworth. Show all posts

Sunday, 17 December 2017

Theatre review: Barnum

One thing you can usually expect from the Menier Chocolate Factory is a pretty safe palate and a commercial sensibility, so it’s a surprise to see them spaff a big budget and their Christmas show on a gamble, and one that doesn’t pay off at that. Maybe it’s a reflection of Cy Coleman (music,) Michael Stewart (lyrics) and Mark Bramble’s (book) hero and his tendency to lay the big decisions in his life on the toss of a coin that’s led Gordon Greenberg’s production to cast Marcus Brigstocke in a part he has no obvious qualification for, the titular role in Barnum. The 19th century impresario P.T. Barnum was given the name (most likely by himself) The Greatest Showman, and the musical follows his earlier forays into show business (his co-founding of Barnum & Bailey’s Circus is pretty much the show’s epilogue) and his relationship with his wife Charity (Laura Pitt-Pulford,) who provides the nous behind his flair for spectacle.

Wednesday, 28 December 2016

Theatre review: She Loves Me

I started 2016 with a musical about a rather niche subject; I end the year on a more old-fashioned one that isn't strictly speaking formulaic - it became the formula for several Hollywood Rom-Coms. She Loves Me has a book by Joe Masteroff, music by Jerry Bock and lyrics by Sheldon Harnick, and takes its story from Hungarian play Parfumerie, about hate turning to love in the titular shop. Georg (Mark Umbers) is the perennially single deputy store manager who's resorted to a lonely hearts column, and has fallen for a woman he's been exchanging letters with. When one of the shop clerks leaves, her replacement Amalia (Scarlett Strallen) instantly annoys him by selling a music box he'd bet would be unsellable, and their relationship is fractious from then on. Needless to say, Amalia is actually the "Dear Friend" he's been writing to, and she feels the same way about his letters.

Sunday, 23 September 2012

Theatre review: Charley's *unt

PREVIEW DISCLAIMER: This review is of the final reduced-price preview. All remaining performances are being sold at full price, and the critics aren't being invited in for another week.

I'd heard of Brandon Thomas' famous comedy Charley's *unt, but all I knew was the title, the fact that cross-dressing figured somewhere, and its best-known quote "Brazil... where the nuts come from" (which, as famous highlights go, isn't entirely encouraging about the rest.) When it was announced that the Menier Chocolate Factory would be reviving it, the reaction online didn't bode well either, with surprise at the choice, and the phrase "horribly dated" being used quite liberally. On the other hand, Big Favourite Round These Parts Dominic Tighe is in the cast, so what can you do? Turn up at the Menier, where Jack (Tighe) and his friend Charley (Benjamin Askew) are trying to find a way to propose to their girlfriends. Charley's *unt Donna Lucia, whom he's never met before, is due to return from Brazil, and seems like a suitable chaperone. When she fails to turn up and Jack finds himself at risk of having to go work abroad before finding a moment alone with Kitty (Leah Whitaker,) their friend Lord Fancourt Babberley (Matthew Horne) is called upon to throw a dress on and impersonate Donna Lucia.