Friday, 30 April 2021
Tuesday, 27 April 2021
Saturday, 24 April 2021
Tuesday, 20 April 2021
stream.theatre, for the premiere of his play Cruise, but this particular "stage-to-screen" presentation is actually more like "screen-to-stage," as before the filmed version had been seen online a live production at the Duchess was announced. I'd already booked to watch online before I knew there was the option of seeing it live, but having now watched it I can see why producers might think it was worth a punt as one of the shows to reopen the West End with: Not only is it in the top flight of actor-written monologues, but after the huge TV success of It's A Sin this taps into a similar vein; not just in the subject matter of London's 1980s gay society being ravaged by AIDS, but also in balancing grief for the lives lost with a celebration of the hedonism that was its flipside.
Thursday, 15 April 2021
INSIDE, the Orange Tree live stream returns with a second trio of new short plays - this time all written by people who've worked at the venue before, if not necessarily as a writer. Unsurprisingly the theme this time is OUTSIDE, and Sonali Bhattacharyya's Two Billion Beats interprets this as a school playground, where star pupil Asha (Zainab Hasan) is uncharacteristically having to clean up graffiti as detention, while her little sister Bettina (Ashna Rabheru) loiters, not wanting to get on the bus alone and get bullied. Unfortunately I can't critique Two Billion Beats as Hasan's microphone failed just as we were getting to the crux of the play, so I didn't hear most of her dialogue from that point on; but the start did seem promising, with Asha comparing her school essay-writing technique to clickbait that gets her teacher hooked.
Friday, 9 April 2021
coming soon I had a look, and it seems that Cactus had quietly arrived online a few months ago, along with a new fifteenth instalment. Ridley's monologue cycle for Zoom, directed by Wiebke Green, was something of an underrated epic of the first lockdown - you can read my reviews of the first, second and third sets of monologues I watched, and I think this fourth one will be the last... but with a playwright as prolific as Ridley you never know when something else might pop up.