Theatre review: The Grand Tour

Unusually for the Finborough, their first show of 2015 is running for two months rather than just one - like one of its characters, they must be optimistic about the chances of The Grand Tour, a 1979 Jerry Herman musical that has never before been staged in Europe, finding a large audience. Set in France in 1940, it follows Polish Jew Jacobowsky (Alastair Brookshaw,) who's been fleeing persecution all his life, and now buys a car to make his latest escape - except he can't drive. Antisemitic Polish Colonel Tadeusz Stjerbinsky (Nic Kyle) has a list of names he needs to deliver to London to help the resistance against the Nazis back in Poland. He can drive, but has no means of transport, so with only the country of their birth in common the two team up for a journey to freedom - stopping along the way to pick up Marianne (Zoë Doano,) the French woman the Colonel loves.

Theatre review: Victor/Victoria

Thom Southerland's musical revivals have become a regular feature in Southwark Playhouse's Vault and hopefully one that will follow to wherever the new venue turns out to be. For the final show underneath Platform 1 of London Bridge he's taken us to 1930s Paris for Blake Edwards, Henry Mancini and Leslie Bricusse's Victor/Victoria. Anna Francolini is Victoria, a talented singer trying to get onto the Paris cabaret scene but lacking the extra something special that'll get people's attention. A chance encounter with Toddy (Richard Dempsey,) a gay cabaret singer who's also just found himself out of a job, leads to an idea for what that X factor might be: Victoria will use her vocal range to cash in on the trend for female impersonators by becoming Victor - a woman pretending to be a man pretending to be a woman. But the plan's instant success is put at risk when she falls for American gangster King (Matthew Cutts) and may need to reveal her true identity to get him.