Theatre review: Paddington

To say that Michael Bond's Paddington Bear has had a resurgence since the 2014 film would be an understatement, as would be to say a musical adaptation could be a huge risk: The slightest hint of a shameless cash-in on such a beloved character could have gone very badly. Fortunately Paddington the Musical is in very safe hands with Tom Fletcher (music and lyrics,) Jessica Swale (book) and director Luke Sheppard. When an elderly bear, Aunt Lucy (voiced by Brenda Edwards) can no longer look after her orphaned nephew, she sends him from Darkest Peru to London, where she hopes he'll find the explorer who was kind to her years before. Instead he finds Mrs Brown (Amy Ellen Richardson) and her son Jonathan (Jasper Rowse, alternating with Joseph Bramley, Leo Collon and Stevie Hare.) Against the wishes of Mr Brown (Adrian Der Gregorian) and permanently embarrassed teenager Judy (Delilah Bennett-Cardy) they invite him home.

Theatre review: Made in Dagenham

The film-to-musical adaptation has well and truly become a West End fixture, but when the end result is as fresh and downright eccentric as Made in Dagenham, it's clear there's a labour of love involved, not just a cynical recycling of a familiar property. The story of the 1968 strike by female workers at the Ford plant in Dagenham now has a book by Richard Bean, music by David Arnold and lyrics by Richard Thomas, and gets a typically inventive debut production from Rupert Goold. Gemma Arterton plays Rita, who works as a machinist sewing chair covers for Cortinas. As part of a larger deal with management, the workers' union has agreed that this job can be downgraded to "unskilled" and, reluctantly at first, Rita joins in the talks to get their pay grade back. But even if the women's skill is recognised, they will still earn significantly less than men on the same grade, so she aims higher: The women's demands have now changed to equal pay with the men.

Theatre review: Mr Burns

Some shows come with such a Marmite reputation that it feels odd to find yourself quite firmly on the fence about them. Anne Washburn's Mr Burns had a love/hate response when it debuted off-Broadway, and the reaction to its London premiere has ranged from one star to five from the critics. Its basic conceit is certainly an interesting one: Some time in the near future, disasters at a series of nuclear power plants have wiped out most of the US population. The survivors are left to try and get by in a world without power (Mr Burns is subtitled "A post electric play.") Small groups band together for safety, and as one of these welcomes, cautiously, a newcomer (Demetri Goritsas,) we see the ways they've tried to maintain a network of communication. But we also see how they try to keep their spirits up by reliving a comforting story from their earlier lives: Around the fireside they try to remember and retell an episode of The Simpsons.

Theatre review: Sweet Smell of Success

PREVIEW DISCLAIMER: The official critics are being invited to this on Wednesday.

There's quite a selection of musicals to choose from on the fringe at the moment, and the next to throw his hat in the ring is the Arcola's Mehmet Ergen, who directs a musical adaptation of 1957 film Sweet Smell of Success. With celebrity gossip seeming to be all that's keeping the print media in business, a look back at its earlier days suggests it was a dirty business even then. Based on the real-life journalist Walter Winchell, who first popularised the gossip column with his overheard conversations of Broadway and Hollywood stars, JJ Hunsecker (David Bamber) is the man everyone needs to impress if they're going to make it big in showbiz. Sidney Falcone (Adrian der Gregorian) is a floundering agent who can't get his clients into the paper for love nor money, until a chance encounter with JJ, who thinks Sidney is a friend of his sister's. JJ has a somewhat creepily overprotective relationship with his much younger sister Susan (Caroline Keiff,) and wants Sindey to spy on her and particularly her romantic life - in exchange he'll take him under his wing.