Last year the Finborough’s search for forgotten hits of the past found Scottish playwright James Bridie, whose black comedy Dr Angelus proved well worth another look; now the Sunday-to-Tuesday alternate slot is given up to another of Bridie’s West End hits of the ‘50s, and while Mr Gillie hasn’t stood the test of time anywhere near as well, the amiable little tragicomedy has its moments. Perhaps its most interesting facet is the very premise, which takes a more critical look at a dramatic cliché that’s remained popular long after the play’s 1950 premiere: That of the inspirational teacher who instils an ambition in his students to transcend the limitations they were born into. That’s been Mr Gillie’s (Andy Secombe) aim all his years as headmaster in a small Scottish mining town, and it’s made him much-beloved of his ex-pupils, and hugely unpopular with the school board. And it’s hard not to see the latter’s point, because over the course of his career Gillie has found two students in particular who showed extraordinary talent: Both took his advice to pursue them, and in both cases their lives took such a turn for the worse they’re still spoken of in hushed tones now.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label James Bridie. Show all posts
Showing posts with label James Bridie. Show all posts
Monday, 26 June 2017
Monday, 5 December 2016
Theatre review: Dr Angelus
"Ah well, you did your best and it wasnae very good... And that's a fair epitaph for
most of us." Obscure mid-20th century plays really are delivering the best lines at
the moment, this one courtesy of the Finborough's current alternate show, James
Bridie's Dr Angelus. Set in 1920 and inspired by a true crime story, it
follows recently-qualified Dr George Johnson (Alex Bhat,) who's moved to Glasgow to
take a too-good-to-be-true partnership with the eccentric Dr Angelus (David
Rintoul.) His gratitude and respect for the older man let him overlook some
suspicious behaviour - like the fact that his heavily-insured mother-in-law only
gets sicker the more Angelus treats her, and when she finally dies he insists
Johnson sign the death certificate. George keeps his silence even when Angelus' wife
(Vivien Heilbron) starts exhibiting the same symptoms her mother did.
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