Theatre review: The Little Big Things

Back to @sohoplace, the theatre with a name so current it's kept its tamagotchi alive for a whole two weeks, and the new West End venue's first musical. Nick Butcher (music & lyrics,) Tom Ling (lyrics) and Joe White's (book) The Little Big Things is based on the autobiography of artist Henry Fraser, who is paralysed from the shoulders down and paints using a stylus he holds in his mouth. A promising teenage rugby player, Fraser was 17 when he had an accident on holiday in Portugal with his older brothers (Jamie Chatterton and Cleve September) that saw him flown back to England and to the hospital where he spent several months. The show is narrated by two versions of Henry that talk to each other in his head: The able-bodied Henry from before the accident (Jonny Amies) and the Henry after it, in a wheelchair (Ed Larkin.)

Theatre review: Blackout Songs

Joe White's Blackout Songs is an alcoholic love story, which Guy Jones' production plays as a kind of twisted rom-com: Anisha Fields' traverse set design is bordered by rows of chairs that call to mind AA (Alcoholics Anonymous, not the Automobile Association.) That's because an AA meeting is where the protagonists meet, but it soon becomes apparent they're not ready to commit to sobriety: Rebecca Humphries' Alice and Alex Austin's Charlie (the characters are listed as just "Her" and "Him" in the programme) both claim this is their first-ever AA meeting, and they don't even stay past the coffee: When she finds out he's going cold turkey, Alice tells Charlie that has a one-in-twenty fatality rate, and they should go out and get him one last drink to save his life.

Stage-to-screen review: INSIDE

Necessity has made for a lot of different interpretations of what "online theatre" consists of over the last year, ranging from the lo-tech to shows barely distinguishable from TV or film. For their first tentative return to new programming the Orange Tree go for the most literal version, which for my money is the closest thing to the frisson of the real theatre experience: A show presented on their stage, with the actors performing live, and the audience have to be in their seats on time - albeit their seats in front of the computer or TV. After Hymn this is only my second live-streamed show of 2021, and perhaps it had an extra touch of nostalgia for me as the Orange Tree is where I saw my last in-person show before the first lockdown. Their streaming commision is six short plays from a mix of writers who've worked there before and others who haven't; presented in two triple-bills, they're reactions to the last year's events under the rough themes of Inside/Outside. Directed by Anna Himali Howard, the INSIDE collection is first.

Theatre review: Mayfly

If plays about forgotten corners of the countryside have been the low-key growing trend of the last couple of years, then the Orange Tree has been the theatre quietly putting itself at the forefront of it; and even if it's not quite another Jess and Joe Forever, Joe White's Mayfly is the second impressive playwrighting debut of the week (and the second one touching on grief, as it happens.) Cat's (Niky Wardley) horoscope says today is the day a special person will appear out of the blue, and the play's conceit is that it's right: Within a couple of hours Harry (Irfan Shamji) has met all three members of her family, starting when he pulls her husband Ben (Simon Scardifield) out of a river. Ben was trying to down himself because today marks the one-year anniversary of the death of his son.