Theatre review: Beetlejuice

An on-and-off hit in New York - it's opened and closed there multiple times since its original Broadway run was scuppered by Covid - Eddie Perfect (music and lyrics,) Scott Brown and Anthony King's (book) Beetlejuice now arrives in the West End for a run that seems to predict a similar mixed level of enthusiasm: It's at the huge Prince Edward Theatre, but has been advertised as a limited year-long run. Following the broad strokes of the Tim Burton film but deviating from the plot when it suits it, the story sees Lydia Deetz (Hannah Nordberg) move into a haunted house with her father Charles (Alasdair Harvey) and his new girlfriend (officially Lydia's life coach,) Delia (Aimie Atkinson.) Still mourning her recently deceased mother and very much stuck in the "denial" stage of grief, when Lydia discovers that the previous owners are still haunting the house, it convinces her there must be a way to see her mother again.

Theatre review: The Little Big Things

Back to @sohoplace, the theatre with a name so current it's kept its tamagotchi alive for a whole two weeks, and the new West End venue's first musical. Nick Butcher (music & lyrics,) Tom Ling (lyrics) and Joe White's (book) The Little Big Things is based on the autobiography of artist Henry Fraser, who is paralysed from the shoulders down and paints using a stylus he holds in his mouth. A promising teenage rugby player, Fraser was 17 when he had an accident on holiday in Portugal with his older brothers (Jamie Chatterton and Cleve September) that saw him flown back to England and to the hospital where he spent several months. The show is narrated by two versions of Henry that talk to each other in his head: The able-bodied Henry from before the accident (Jonny Amies) and the Henry after it, in a wheelchair (Ed Larkin.)