Theatre review: Martin Guerre

For what must surely be Matthew Warchus' final new production at the Old Vic he revisits Alain Boublil (book and lyrics,) Claude-Michel Schönberg (music and lyrics) and Stephen Clark's (lyrics) Martin Guerre in what is described as a new version of the musical and, frankly, when has this ever been staged in anything other than a rewritten version? I saw the original production 30 years ago and I still didn't quite see the first version: By the time I went in 1996, a couple of months after it premiered, it had already briefly closed and reopened once for a major rewrite and relaunch, which was evidently a lot more popular than the one critics had first seen, but still wasn't successful enough not to get completely retooled every time someone revived it. This time around Annabel Mutale Reed (lyrics) & Paul Hodge (lyrics and additional material) get added to the increasingly hefty roster of writers, to help turn the unwieldy epic into a 100-minute one-acter.

Theatre review: Miss Saigon

Most long-lived big musicals have their day and, once they've closed in the West End, may be seen in later years in smaller productions. Miss Saigon, on the other hand, closed 15 years ago but now returns with as much pomp and publicity as it ever had. It seemed a bit of a gamble to me but Cameron Mackintosh must have known something I didn't about public demand for its return, as the show recouped its costs before press night, and has already extended its booking period into next year. Based on Madame Butterfly (doesn't everything seem to be?) Miss Saigon follows Kim (Eva Noblezada,) a 17-year-old orphan acquired by a Saigon brothel catering to US soldiers in the middle of the Vietnam war. She and a young sergeant, Chris (Alistair Brammer,) fall in love and plan to marry and return to America together, but the fall of Saigon and America's hasty retreat from Vietnam sees them parted.