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Showing posts with label Amy Hodge. Show all posts
Showing posts with label Amy Hodge. Show all posts

Thursday, 2 June 2022

Theatre review: Henry VIII (Shakespeare's Globe)

Despite being named after a monarch more famous than any of Shakespeare's other History Plays, Henry VIII has always languished in obscurity - this is only the second time I've seen the play, and I've yet to see any evidence that it deserves better. It's one of the late collaborations with John Fletcher, with all the unevenness that implies, but it's also a play that reflects the way Shakespeare's work tended to bow to the trends of its time, in this case the popularity of big spectacle and pageantry (so much so that it's best known for including the special effect that burned down the original Globe.) It also came a decade after the death of the last Tudor monarch, meaning it was now safe to portray that particular dynasty on stage, while also tapping into nostalgia for Elizabeth I's reign. All solid commercial reasons for creating a show, and the latter element feels topical, seeing it on the Jubilee weekend, but they don't suggest a great play for the ages.

Tuesday, 10 March 2020

Theatre review: Women Beware Women

Seeing two Shakespeare productions in a row isn't that unusual, especially once the summer season kicks off; two Middletons (Thomas, not Kate and Pippa) is rarer. Women Beware Women concludes the current Swanamaker season in a production by Amy Hodge that's fully aware of the potential for the play to chime with #MeToo, and gives Joanna Scotcher's design a 1980s aesthetic that nods at a time a lot of current cases date back to. The Florentine court becomes a gilded Art Deco hotel where Leantio (Paul Adeyefa) brings his new wife Bianca (Thalissa Teixeira,) only to immediately demand she be hidden away from public view because their elopement is still a dangerous secret. But on a public walkabout the Duke (Simon Kunz) spots Bianca at her window, and decides he must have her. Enter Livia (Tara Fitzgerald,) who's got a plan to get the Duke access to her in return for her own advancement.