Pages

Showing posts with label Chris Jarman. Show all posts
Showing posts with label Chris Jarman. Show all posts

Friday, 2 June 2023

Theatre review: Once On This Island

Regent's Park opens its 2023 Open Air Theatre season with Once On This Island, Lynn Ahrens (book and lyrics) and Stephen Flaherty's (music) loose musical adaptation of The Little Mermaid, reinterpreted as a fable about colourism in Haiti. Ti Moune (Gabrielle Brooks) is introduced as a legend of the island, a dark-skinned foundling girl adopted by Mama Euralie (Natasha Magigi) and Tonton Julian (Chris Jarman.) They are peasants, a class dictated by their darker skin - the wealth and power of the island rests with the lighter-skinned Grands Hommes, descended from Napoleonic settlers and their black mistresses. They congregate at a luxury hotel, banning the peasants from profiting off the tourists, but one day the heir to the hotel fortune has a car accident on the wrong side of the tracks. Ti Moune finds Daniel (Stephenson Ardern-Sodje) close to death.

Thursday, 4 August 2016

Theatre review: Harry Potter and the Cursed Child Part One

Shows are always plugging themselves as "the theatrical event of the year"- most recently Sunset Boulevard attempted the line, rather foolishly as if there's ever been a year when that title has had no contest, this is it: Harry Potter and the Cursed Child Parts One and Two were a phenomenon as soon as tickets went on sale, and now the show's actually opened the response has actually lived up to expectations. Playwright Jack Thorne is the first writer J.K. Rowling has entrusted to script an entirely new, canonical Harry Potter story, although she and director John Tiffany collaborated with Thorne on putting the story together. I chose to see this over consecutive nights so will review the parts separately too, although reviewing a show where it's important to #KeepTheSecrets is a tricky business. Ultimately this blog is a record for myself as well as reviews for others, so I will be giving it a go - so here's a little spoiler disclaimer:

After the text cut, expect some spoilers - I'll be mentioning some characters and their actors, and the general starting point of the plot, but I won't give away all the twists. Still, if you have any intention of seeing this show, I'd say - spoilering this review itself - I loved it, now don't read below the cut. Even if you won't be seeing it until 2017 or even until it makes it to Broadway, come back and read what I thought then - I can wait.

Thursday, 8 January 2015

Re-review: The Book of Mormon

Nearly two years after opening in London, The Book of Mormon remains one of the West End's hottest tickets. This was my first return trip to the show since I first saw it - you can read my original review here - and this time it was my Christmas present to my sister. American actors A.J. Holmes and Billy Harrigan Tighe have taken over the lead roles of Elders Cunningham and Price, and Kevin Harvey has replaced Giles Terera as the Elders' guide to the Ugandan village, Mafala Hatimbi, but otherwise the main cast have all stuck around - although tonight Lucy St Louis was understudying Alexia Khadime as Nabulungi and doing a good job of it, with a powerful voice in the funny but touching "Sal Tlay Ka Siti." Although the show was never overlong in the first place, it now seems to have shed an extra 15 minutes from when I last saw it, making it zip past all the more speedily and satisfyingly.

Thursday, 14 March 2013

Theatre review: The Book of Mormon

PREVIEW DISCLAIMER: The Book of Mormon invites London critics in next week.

The Book of Mormon has had a lot to live up to. Avenue Q is one of my all-time favourite shows, so its co-creator Robert Lopez teaming up with South Park's Matt Stone and Trey Parker for a new musical was an exciting prospect even before the rave reviews and Tony awards started flooding in. Add to that the fact that when I went to New York in 2011 I tried a number of times, unsuccessfully, to get a ticket to the Broadway production via its daily lottery (which is being replicated for the West End run) and this has been a long time coming. I went along with much of the same group of people I made several trips to Avenue Q with (bar Vanessa, who realised she'd get disowned if she saw it before her daughter) and the good news is it wasn't long before Evil Alex's loud, rather hysterical laugh started up.