Theatre review: Leave to Remain

It's mercifully not about Brexit, but the title of Matt Jones and Kele Okereke's new musical Leave to Remain is still enough to bring me out in hives. Instead it's "leave" as in "permission," as the story begins when London-based American Alex's (Billy Cullum) firm decide to relocate their business entirely out of the UK to Abu Dhabi (...so I guess it is about Brexit?) His visa is entirely dependent on his job, so if he resigns he'll no longer be entitled to stay in the country. He's built his life here and the fastest obvious way to stay is to marry his boyfriend Obi (Tyrone Huntley.) But their relationship is very new so it's an extreme step, and despite quickly agreeing to it Obi is emotionally very distant so it's hard to be sure how he really feels about his partner. Besides, formalising his relationship will mean Obi confronting his family and the way they reacted when they found out he was gay.

Theatre review: The Life

I would consider Sharon D. Clarke to be a fairly big name, certainly in London theatre circles, so it's a bit of a coup for Southwark Playhouse that she's starring in their latest musical. But then Clarke seems like the kind of actor who'll choose roles based on how much she likes them rather than how starry they are, whether it's panto or an ageing hooker in an ensemble piece like The Life. If Guys and Dolls is the classic musical about Broadway's past as one of New York's seediest streets, then Cy Coleman (music) Ira Gasman and David Newman's (book and lyrics) musical catches up with it a little while before it gets cleaned up and tourist-friendly, and finds it more dangerous than ever. It's 1978* and almost every character we meet is either a prostitute or a pimp; Vietnam vet Fleetwood (David Albury) currently only pimps out his own girlfriend Queen (T'Shan Williams) as they save up to get away from New York and make a new start.

Theatre review: but i cd only whisper

There were cheers when it was announced there would be major improvement works done to the Arcola's unloved new building. Less so when it turned out the biggest changes would be to Studio 2, pretty much the only part of the theatre that was liked by audiences the way it was. The smaller studio has been relocated to the basement, directly below its previous home (which is now the bar.) The good news is that if the first show to be staged there, but i cd only whisper, is anything to go by, the transition has been fairly smooth. Kristiana Colón's play is set in an American city in 1970, and looks at the experience of black Vietnam veterans through a character study of a particularly damaged one: Following a dishonourable discharge from the army, Beau Willie Brown (Adetomiwa Edun) has committed an unnamed but seemingly appalling crime since his return home.