Theatre review: Timon of Athens (RSC / Swan)

With its story of economic inequality and social unrest - in Greece no less - Timon of Athens seems like a play that would have attracted a lot of revivals in recent years, but the fragmentary nature of the text means Shakespeare and Middleton's tragedy remains as obscure a part of the canon as ever. Its obligatory appearance in the "T" season as part of the RSC's complete works is only the third time I've seen it, and marks one of the few occasions when the company's departed from their current policy of staging all the Shakespeares in the main house, presumably figuring the Swan would be easier to fill. But if the play's obscure the casting is, to me at least, a definite draw, with Kathryn Hunter taking on the title role. Timon has a seemingly infinite belief in the goodness of humanity, as she has more friends than any other woman in Athens. Of course, she's also one of the richest, and famously generous.

Theatre review: Tamburlaine

The RSC's "T" season opens with the return of former Artistic Director Michael Boyd, and his edit of Christopher Marlowe's two Tamburlaine the Great plays into a single bloodthirsty epic. Mycetes, King of Persia, is played by Mark Hadfield in the performance that Mark Hadfield gives, meaning his brother Cosroe (David Sturzaker) sees him as a joke who should be replaced - by him. Cosroe joins forces with Tamburlaine (Jude Owusu,) a Scythian shepherd's son and bandit with a growing reputation as a soldier, to overthrow his brother. This they do easily, but Cosroe has underestimated his new ally, who promptly betrays him, kills him and takes the throne for himself. But all this gives him is a taste of the kind of power he wants - kings seem to be ten-a-penny and Tamburlaine wants to be above them all, Emperor of as much of Asia Minor, Africa and Eastern Europe as he can manage in his lifetime.