Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Gary Lloyd. Show all posts
Showing posts with label Gary Lloyd. Show all posts
Tuesday, 30 January 2024
Theatre review: Cruel Intentions: The '90s Musical
My third show in a row to make liberal use of bisexual lighting, Roger Kumble, Lindsey Rosin and Jordan Ross' Cruel Intentions: The '90s Musical is based on Kumble's 1999 film, which is based on Stephen Frears' 1988 film Dangerous Liaisons, which is based on Christopher Hampton's 1985 play Les Liaisons Dangereuses, which is based on Pierre Choderlos de Laclos' 1782 novel. But yeah, as the subtitle says, we're very much sticking with the 90s teens here, and the version that famously starred Sarah Michelle Gellar, Reese Witherspoon, and Ryan Phillippe's arse. Set in a New York private high school for the rich, bored and terminally horny, Sebastian Valmont (Daniel Bravo, whose parents Johnny and Juliet must be very proud,) is the resident fuckboi whose bad reputation precedes him. His step-sister Kathryn Merteuil (Rhianne-Louise McCaulsky) is the class president and golden girl.
Thursday, 14 May 2015
Theatre review: Carrie
"Plug it up! Plug it up!" I can't have been the only one hoping Carrie would have a Rocky Horror-style interactive element, with the audience throwing tampons at the stage in the opening scene? No I wasn't, shush. May seems to be the month for Southwark Playhouse to get a big hit musical on its hands, but while last year's In The Heights came from New York with Tonys attached, this year's offering has, to say the least, more of a checkered past: Michael Gore, Dean Pitchford and Lawrence D. Cohen's Carrie has gone down in history as one of the biggest-ever musical flops. Despite a Stratford-upon-Avon run plagued by cast accidents (the blood short-circuited the radio mics, electrocuting them) it went straight to Broadway. The humiliation suffered there meant the performance rights were withdrawn for decades. So this heavily rewritten version, seen off-Broadway in 2012, is the first time it's ever been seen in London.
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