It visited the Barbican several years ago, but now that Ivo van Hove is one of the biggest names in theatre internationally, there's enough of an enthusiastic audience for his work to sell out three more performances of one of his most famous Toneelgroep Amsterdam productions. And it certainly takes a certain amount of confidence in the director to commit to watching Roman Tragedies - it runs for six hours without a conventional interval, and is performed entirely in Dutch (with surtitles.) This promenade production conflates three of Shakespeare's four Roman tragedies - the three that have at least some basis in historical fact, beginning with Coriolanus. This first play is the least connected to the rest of the action, as we skip a couple of centuries forward at the end of it, but it does add a symmetry to the evening: Early on Coriolanus (Gijs Scholten van Aschat) sneers in disgust at the prospect of having to smell the common people if he has to campaign for their votes, a sentiment expressed again almost word for word by Cleopatra (Chris Nietvelt) near the end.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Harm Duco Schut. Show all posts
Showing posts with label Harm Duco Schut. Show all posts
Saturday, 18 March 2017
Sunday, 24 April 2016
Theatre review: Kings of War
Very much in-demand to direct work in English both here and on Broadway, Ivo van
Hove is of course also still running Toneelgroep Amsterdam, and bringing over
Dutch-language work to a niche - but not quite as niche as it was a couple of years
ago - audience. For the weekend of the 400th anniversary of Shakespeare's death, I
didn't manage to fit in the Globe's film series along the South Bank, but my own way
of marking the event is van Hove's 4-and-a-half hour compression of the History
Cycle - beginning at the end of Henry IV Part 2 with the death of that king,
then following on through Henry V, the Henry VI plays and Richard
III - collected as Kings of War. Henry V (Ramsey Nasr) distracts England
from his line's dubious claim to the throne with a successful offensive in France,
but like the king himself the victory is short-lived: His son takes the crown when
less than a year old, and even as an adult Henry VI (Eelco Smits) is plagued by
mental illness and unable to control his lords.
Labels:
Alwin Pulinckx,
Bart Slegers,
Eelco Smits,
Hans Kesting,
Harm Duco Schut,
Henry IV,
Henry V,
Henry VI,
Ivo van Hove,
Jan Versweyveld,
Janni Goslinga,
Ramsey Nasr,
Richard III,
Robert de Hoog,
William Shakespeare
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