Theatre review: Grand Hotel

After a number of big musical hits there, director Thom Southerland returns to Southwark Playhouse with another musically complex ensemble drama, though I liked this one a lot better than 2013's Titanic: Based on Vicki Baum's book Menschen Im Hotel, Grand Hotel has a book by Luther Davis, music and lyrics by George Forrest and Robert Wright, and additional songs by Maury Yeston. The setting is 1928 Berlin, a time of a huge gap between rich and poor, as the deferential staff of the hotel harbour a lot of angry resentment towards their wealthy guests. But if the guests we meet over the two hours are anything to go by, they actually have a lot more front than they do money. At the centre of the cast of characters is Baron von Gaigern (Scott Garnham,) who coasts by on charm and everyone's assumption that with titles come money and power, but is in fact broke.

Theatre review: Titanic

I wonder how many people will turn up at Southwark Playhouse for Titanic the Musical expecting an all-singing, all-dancing adaptation of the James Cameron film? I'm afraid you won't be seeing any high-kicks to "Paint Me Like Your French Girls, Jack" or a curtain-call rendition of "Oops I Did It Again" complete with the bit where the Heart of the Ocean gets retrieved from the depths. Instead, Maury Yeston and Peter Stone's version takes all its characters from real people who sailed on the iconic but doomed liner, some of them staying on to her final destination, others getting off at an earlier, more convenient point. This is a true ensemble piece that tries to build a flavour of all four different groups of people who sailed on Titanic, simplified down to a mostly-American First Class, mostly-English Second Class, mostly-Irish Third Class plus a crew from around the British Isles.