Theatre review: Our American Cousin

Not all of the Finborough's lost classics were always unappreciated: Occasionally they revive a play that enjoyed lengthy international success before disappearing into obscurity. They were often victims of their own success - Outward Bound's signature twist became a cliché, while the chocolates named after Quality Street's much-loved characters ended up upstaging them entirely. But the hit run of Tom Taylor's Our American Cousin ended in darker fashion when, 150 years ago this month, it went down in history as the play Abraham Lincoln was watching when he was assassinated. It's that notoriety that now sees it revived to commemorate the anniversary. Sir Edward (Andrew McDonald) has lost all his money, as unbeknownst to him his steward Coyle (Daniel York) has been ripping him off for years. But there's still someone in the family with money - the titular distant cousin Asa (Solomon Mousley,) who's about to visit England for the first time.

Theatre review: The Curing Room

PREVIEW DISCLAIMER: This was a London preview of a show officially premiering at this year's Edinburgh Fringe.

Regular readers of this blog (both of them) might have spotted that among the many things I like to see on stage, male nudity and a spot of gory violence are perennial favourites. So a play that combines large amounts of both should be very much my idea of fun (in fact I only found out about this play because a number of people contacted me about it, as if I have a reputation or something¹.) But among the many strengths of The Curing Room, "fun" isn't too high on the list. Inspired by a couple of brief, anecdotal accounts from the Second World War, as well as taking in elements from famines in Stalinist Russia, David Ian Lee's play sees seven Russian soldiers thrown naked by the Nazis into the cellar of a Polish monastery. They try to keep their spirits up but after a few days it becomes increasingly apparent they're unlikely to be rescued - indeed, they may have been forgotten altogether. (Some NSFW imagery after the text break.)