A musical based on a Victor Hugo novel? IT’LL NEVER WORKetc.
It feels like I’ve had a long wait for Carl Grose (book,) Tim Phillips and Marc Teitler’s (music) new musical The Grinning Man (with lyrics by all of the above, plus director Tom Morris.) I heard raves when it opened in Bristol in 2016, and then I had to postpone my trip to the London transfer last month when I got ill. But a great cast help make this arrestingly grotesque show worth the wait. In many ways it reminded me of last year’s The Depraved Appetite of Tarrare The Freak: It also makes heavy use of puppetry to tell the musical story of a freak show, and a star attraction equal parts repellent and attractive. It’s also another French story, although instead of elaborating on historical fact this comes from a late Victor Hugo fantasy, here relocated to an alternate Lon Don; its palace might be in Catford, but the theatre’s real-life location a few blocks from Downing Street is frequently evoked in relation to the royal family motto of “to him that hath, much more shall be given; to him that hath little, it shall be taken away.”
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Sean Kingsley. Show all posts
Showing posts with label Sean Kingsley. Show all posts
Tuesday, 9 January 2018
Tuesday, 26 July 2016
Theatre review: Jesus Christ Superstar
We're going way back through the mists of time for this one, back to a time when Dr Baron Dame Sir Andrew Lloyd Lord Webber BA (Hons) actually came up with more than two tunes per show, and Jesus Christ
Superstar is all the better for it. Originally a concept album, it means that
although it's staged fairly frequently, it's usually as a concert, so Timothy
Sheader's full staging in Regent's Park is something of a rarity. Lloyd Webber and
Tim Rice created a musical passion play with a sympathetic slant on the reviled
figure of Judas (Tyrone Huntley.) Jesus Hector Christ (Declan Bennett) has been
building a following for the last three years, and although Judas still believes in
his teachings, he has three main concerns: That Jesus Horatio Christ doesn't quite
practice what he preaches, especially in the case of Anoushka Lucas' (strong-voiced
but not all that impactful) Mary Magdalene; that they're not helping the poor
directly any more; and the refusal to deny rumours of being the actual son of God.
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