Theatre review: Cancelling Socrates

Howard Brenton made his name as a topical political playwright, and in recent years has become mostly known for his history plays. Cancelling Socrates, as suggested by a title that mixes a contentious, politicised modern term with a classical figure, is something of both, although in the end maybe not quite enough of either. It's the story of the trial of Socrates in 399 BCE Athens, when he was accused of blasphemy with a side order of corrupting youths. As played by Jonathan Hyde, Socrates isn't necessarily any more of an atheist than anyone else around him, and though he's got some very arch thoughts about the badly-behaved Olympian pantheon he does seem to pray to them and make all the right gestures. The trouble is his famous, eponymous Socratic method of philosophy, which relies on asking questions and seeing where the answers take him. Sooner or later he's going to end up asking questions with dangerous answers.

Theatre review: But It Still Goes On

I think most theatres wore out their commitment to commemorating the First World War in 2014, so it hasn't dominated programming in the centenary of its final year like it did in the first. But the Finborough is still committed to its THEGREATWAR100 strand, and Millennials feeling under constant attack from their grandparents' generation might take some small comfort from But It Still Goes On, in which even those who fought in the trenches are regularly dismissed as feckless wasters. In fact there's a strong feel of "it was ever thus" to much of Robert Graves' play. Best known for I, Claudius, which due to a sacred rule of comedy I have to pronounce "I, Clavdivs," Graves was commissioned to write the play in 1929 but it was never produced - possibly because the producers of Journey's End were expecting a similar story of life in the trenches, rather than one of how the survivors have to move on with very little help from those they fought for.

Theatre review: Flowers of the Forest

Both written and set in 1934, as the consequences of Hitler's ascent started to become apparent, John Van Druten's pacifist drama Flowers of the Forest looks with some concern at the increasing possibility of a Second World War, by looking back to the First. Naomi (Sophie Ward) lives in London with her well-off husband Lewis (Mark Straker,) their lives largely revolving around books and art. Many of their generation still hold onto the romanticised view of World War I as a noble sacrifice, but the couple are among those who view it as a pointless and ruthless waste of life. So when Lewis' secretary Beryl (Victoria Rigby) reveals her boyfriend contributed to a new book exposing the horrors of the front, he's invited to meet them. Leonard's (Max Wilson) enthusiasm for his subject, as well as some papers from her recently-deceased father's house, set Naomi off remembering her relationship with a doomed war poet, and the play's middle act flashes back to her childhood home in 1914 and 1916.