Ryan Craig wrote the English version of Tadeusz Slobodzianek’s Our Class, which would probably have been my show of the year in 2009, except I didn’t start doing an annual theatre roundup until the year after. It’s not a connection you would easily make from seeing his latest, the light, slight relationship comedy/drama Games for Lovers. Logan’s (Calum Callaghan) relationship with Jenny (Tessie Orange-Turner) is quickly going tepid, and he tries to reinvigorate it by inviting her to move in with him. Logan’s continuing pursuit of something that’s not really working means his best friend Martha (Evanna Lynch) can’t make a move on a mutual attraction neither of them has wanted to be the first to admit to for years. She answers an ad for a flatshare with deluded wannabe lothario Darren (Billy Postlethwaite) who, in something of a coincidence pileup, is both an old acquaintance Logan has recently reconnected with, and someone who crashed and burned when he tried his pickup techniques on Martha only a couple of weeks earlier.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Tessie Orange-Turner. Show all posts
Showing posts with label Tessie Orange-Turner. Show all posts
Tuesday, 23 July 2019
Sunday, 29 April 2018
Theatre review: Masterpieces
Anger can be a spur to some powerful writing, but while anger over the relationship between pornography and misogyny is more than justifiable, I’ve yet to see it be the basis of a coherent piece of theatre. The Finborough proves that #MeToo isn’t the first time theatre has fought back against the oppression of women by dusting off Sarah Daniels’ 1983 play Masterpieces, which tries to trace a line from misogynistic jokes all the way to the murder of women. It starts promisingly enough with the standard dinner party from hell: Olivia Darnley and Edward Killingback (Yeah!) Them Motherfuckers Don’t Know How To Act (Yeah!) play Rowena and Trevor, whose dinner with friends and family degenerates into a series of sexist jokes. This scene actually contains some really good moments about the way men silence women, that could have come straight out of the Q&A scene in The Writer – like Yvonne (Tessie Orange-Turner) being asked why she hasn’t said much, and having Trevor jump in to answer for her that she hasn’t been able to get a word in edgeways.
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