Being the fourth centenary of his death this is likely to be another particularly
Shakespeare-heavy year, but my first visit of the year is, as it often has been, to
the Faction's annual residency at the New Diorama. Mark
Leipacher directs a revised version of the company's first-ever production,
Richard III, with the aptly-named Christopher York playing the title role.
Opening with a dance-like fight scene, this is a young and powerful Dick, who we see
being instrumental in getting York victory in the Wars of the Roses. The youngest of
the brothers, though, he ends up several steps away from real power, and turns his
easy brutality on his own family. With Edward IV (Richard Delaney) nearing death,
Richard despatches with middle brother Clarence (Lachlan McCall) before starting a
rumour that Edward's sons and heirs are illegitimate. Ruthlessly disposing of anyone
who might object, he manoeuvres himself into position until he's being begged to
take the crown for himself.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Damian Lynch. Show all posts
Showing posts with label Damian Lynch. Show all posts
Thursday, 14 January 2016
Theatre review: Richard III (The Faction / New Diorama)
Thursday, 16 January 2014
Theatre review: Hamlet (The Faction / New Diorama)
For the third year running ambitious fringe company The Faction return to the New Diorama to perform a three-play repertory season. Shakespeare is back on the menu this time around, indeed they've gone for the biggie: Hamlet is an interesting one for a company so heavily invested in ensemble playing to tackle, as it's weighted so much in the lead's favour. Although I didn't know when I booked which member of the company would take the title role, I correctly guessed that director Mark Leipacher would give it to Jonny McPherson, one of the stronger actors among the regulars, and the one with leading-man good looks. Though the performance space is small as is the cast, Leipacher has gone for a pretty epic sweep in a production that hasn't taken scissors to the text too liberally, and so despite maintaining a speedy pace it comes in at over three hours - but for the most part it uses the time well.
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