Being the fourth centenary of his death this is likely to be another particularly
Shakespeare-heavy year, but my first visit of the year is, as it often has been, to
the Faction's annual residency at the New Diorama. Mark
Leipacher directs a revised version of the company's first-ever production,
Richard III, with the aptly-named Christopher York playing the title role.
Opening with a dance-like fight scene, this is a young and powerful Dick, who we see
being instrumental in getting York victory in the Wars of the Roses. The youngest of
the brothers, though, he ends up several steps away from real power, and turns his
easy brutality on his own family. With Edward IV (Richard Delaney) nearing death,
Richard despatches with middle brother Clarence (Lachlan McCall) before starting a
rumour that Edward's sons and heirs are illegitimate. Ruthlessly disposing of anyone
who might object, he manoeuvres himself into position until he's being begged to
take the crown for himself.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Sakuntala Ramanee. Show all posts
Showing posts with label Sakuntala Ramanee. Show all posts
Thursday, 14 January 2016
Theatre review: Richard III (The Faction / New Diorama)
Saturday, 6 September 2014
Theatre review: Reptember - The Man With the Flower in His Mouth / Medea / Metamorphosis
I've been plugging ambitious rep company The Faction for a few years now, but by the end of this year's season I was starting to wonder if their choices of text and style of production were in danger of becoming a bit predictable. Almost as if they heard me, for the first time they've announced a September repertory season at the New Diorama in addition to their usual January/February one, with a new direction both in style and presentation - and if the latter involves Tom Radford rolling sweatily around the floor with his top off that's just a bonus. Reptember is a trio of triple-bills, each of the 9 plays being adaptations - some looser than others - of classic works. But unlike most of the source material, these new versions are monologues, performed by regular members of the ensemble and a couple of guest actors.
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