Theatre review: The Country Wife

PREVIEW DISCLAIMER: The production invites the official critics in tomorrow.

A man enthusiastically spreading rumours of his own impotence is the sort of thing that makes perfect sense in a Restoration comedy, and it’s the premise of William Wycherley’s The Country Wife. Harry Horner (Eddie Eyre) has a reputation around London for stealing other men’s wives, to the point that no woman will come near him. After a visit to France he returns a changed man, having contracted one STD too many and been castrated by a French doctor. It is, of course, a ruse; married men will enjoy patronising the eunuch and feel safe leaving their wives with him, and he can seduce them at his leisure. While he’s spending time under the table with Lady Fidget (Sarah Lam,) he’s also acquired a new admirer: Pinchwife (Richard Clews) has recently returned from the countryside, where he married the seemingly unsophisticated Margery (Nancy Sullivan.)

Theatre review: Free As Air

Bonkers 1954 musical Salad Days was a hit when revived at Riverside Studios a couple of years ago, which makes it not quite obscure enough to fit the Finborough's "lost classics" strand. So instead, to mark that show's 50th anniversary, they're reviving Julian Slade and Dorothy Reynolds' 1957 follow-up, Free As Air. The fictional Channel Island of Terhu is preparing to celebrate its annual Independence Day, but is struggling to find a May Queen because their laws stipulate nobody can fill the role twice, and every woman and girl on the island has already had a turn. So when a stranger, Geraldine (Charlotte Baptie) is picked up by the supply boat, she not only solves this thorny problem, but steals the heart of the heir to the island, Albert (Daniel Cane.) But Geraldine turns out to be a wealthy heiress and favourite of the gossip columns, and the press won't let her hide so easily.

Theatre review: Merrie England

The Finborough Theatre has a policy of running smaller-scale productions on Sundays and Mondays, on the set of its main Tuesday-Friday show. I've avoided these because once I do something it tends to become habit-forming. But three theatre-free days in a row in my diary had me getting the cold sweats (how I'll cope in August's theatrical wasteland is anyone's guess) so I booked for the current rep show. While the rest of the country's been fussing over the sequel's jubilee, the Finborough have revived Edward German and Basil Hood's long-forgotten Merrie England, featuring the original Queen Elizabeth. German and Hood were hailed at the turn of the 20th century as the natural successors to Gilbert and Sullivan, and fans of that style of operetta should find much to enjoy here.