Theatre review: Beneatha's Place

Kwame Kwei-Armah premiered Beneatha's Place a decade ago in Baltimore, when he was running a theatre there. Now he's running a theatre here, and directs the play's belated UK premiere at the Young Vic. Cherelle Skeete plays Beneatha, a character from Lorraine Hansberry's A Raisin In The Sun, who ends that play contemplating marrying a Nigerian academic and moving with him from Chicago to Lagos. In the first act that's what she's done, and she and Joseph (Zackary Momoh) are moving into a neighbourhood until then populated by white Americans: The departing previous occupants' (Tom Godwin and Nia Gwynne) hamfisted attempts to appear gracious and welcoming are as telling at they are comic. It's 1959, Nigeria is still a British colony but on the brink of independence, and Joseph could potentially be a significant political figure in the discussions of what that independent country could look like.

Theatre review: Ravenscourt

Qualified NHS therapist Georgina Burns' first fully-staged play Ravenscourt opens at Hampstead Downstairs, and though there's the odd line of clunky dialogue for the most part it goes against my usual complaint about the venue's sets being more fully developed than the scripts (although Debbie Duru's set is a nicely economical use of the space.) It's set within the NHS' Improving Access to Psychological Therapies programme, a service both lauded as a world leader in its ambition for helping the nation's mental health, and critically underfunded and oversubscribed. Ravenscourt is a psychiatric facility; the day surgery is loomed over by an institution for those with the most serious mental illnesses, and occasionally therapy sessions are interrupted by the patients next door having an attack. Lydia (Lizzy Watts) is a comparatively young therapist but she does have some years of private practice under her belt by the time she decides to join the public sector.