Theatre review: Tender (Soho Theatre)

PREVIEW DISCLAIMER: The show has not yet officially opened to critics.

  

Dave Harris' Tender is the latest play to deal with a modern crisis of masculinity, although maybe one without quite the same level of toxicity as some of its predecessors. Darren Bennett plays a former adult performer who now leads a trio of male strippers called the Dancing Bears: Exploiting a loophole in New Jersey law, they are to all intents and purposes prostitutes, the mostly-female clientèle being allowed to do a lot more than just look when the men take their clothes off. But business has been tailing off lately, which turns out to be largely down to a new copycat club opening down the road - where the performers are a bit fresher, better dancers, and a couple of inches better-hung. The club's owner sends her daughter in to freshen up the show, but having previously attempted to be an artist and then a therapist, Bea (Jessie Mei Li) is less interested in choreography and more in deconstructing the men's feelings.

Theatre review: Father Comes Home From The Wars Parts 1, 2 & 3

Perhaps inspired by August Wilson's Century Cycle of plays exploring the African-American experience, playwright Suzan-Lori Parks has created her own epic sequence, Father Comes Home From The Wars, that looks at the legacy of slavery in America. It's a series of nine plays following a single family down the centuries, and the Royal Court here presents Jo Bonney's original Off-Broadway production of the first three in the sequence, with a largely British cast. These three sections of the story take place during the American Civil War, and the central figure is the dubiously-named Hero (Steve Toussaint,) whose master has promised him his freedom if he serves with him in the Confederate Army. Part 1 opens as the other slaves wait for day to break, taking bets on whether Hero will decide to stay or go.