Theatre review: Twelfth Night, or What You Will(Regent's Park Open Air Theatre)

Well it's a good job I'm already more than familiar with the plot of this one, because any show featuring Nicholas Karimi as a sugar daddy in a low-cut top is going to be a tricky one to remember anything else about. Drew McOnie's first season of programming at Regent's Park Open Air Theatre starts with Twelfth Night, but it does share a thematic connection with his predecessor's final production, La Cage Aux Folles: Owen Horsley sets his production in a faded cabaret club, and even gives us a drag queen version of Sir Toby Belch. If the club's not heaving with customers it's probably because the owner, Olivia (Anna Francolini) has imposed a lengthy period of mourning for her dead brother, whose ashes she carries around with her everywhere, addressing her soliloquies to the urn. One regular patron is Orsino (Raphael Bushay,) who's performatively in love with Olivia, and keeps hoping despite all signs to the contrary that he might be able to woo her.

Theatre review: The Comedy of Errors(Shakespeare's Globe & tour)

PREVIEW DISCLAIMER: The production is previewing at the Globe prior to a tour.

Second night in a row for me of Brendan O'Hea's new touring ensemble, and another completely ridiculous play - although unlike Pericles at least The Comedy of Errors has every indication that Shakespeare actually meant for it to be ridiculous. Once we get a particularly egregious Basil Exposition speech out of the way the stage is set for Antipholus of Syracuse (Colin Campbell) and his servant Dromio (Beau Holland) to land in the hostile city of Ephesus, in search of their respective long-lost identical twin brothers. Despite having been looking for them for seven years they're unprepared for the fact that their doppelgangers actually do live there, and don't take the hint when they constantly get mistaken for Antipholus (Andrius Gaucas) and Dromio (Eric Sirakian) of Ephesus, including by the local twin's wife Adriana (Evelyn Miller.)

Theatre review: Pericles (Shakespeare's Globe & tour)

PREVIEW DISCLAIMER: The production is previewing at the Globe prior to a tour.

The summer season at Shakespeare's Globe has started, and like last year I'm starting it with the Tiny Tour. These continue to take the new format of three shows in repertory, with some* of the performances being an "audience choice" - neither cast nor audience will know until the last minute which of the three plays will be staged, subject to an audience vote. Brendan O'Hea's productions get a new cast to take over last year's Twelfth Night, with two new shows joining the rotation. Once again I have to wonder if the best-known play will get the nod almost every time - I doubt it's a coincidence that's the one making a return - but audiences will also have one of the real obscurities on offer. In fact the Globe seems to be one of the few places to give Pericles the time of day: The majority of productions I've seen have been there, and even the RSC quietly shelved it the last time it was due.