Theatre review: Saving Mozart

The Other Palace's latest attempt to come up with the next big historical pop musical to rival SIX takes us to 18th century Austria for Charli Eglinton's (book, music and lyrics) Saving Mozart. Eglinton's idea is that it was the women in Wolfgang Amadeus Mozart's (Jack Chambers) life who did the saving (of his memory, at least; given he died penniless aged 35 they didn't do the best job of saving Mozart himself.) With their father Leopold (Douglas Hansell) essentially seeing them as a way to money and influence, young Wolfgang (Carla Lopez Corpas, alternating with Izzie Monk) and his older sister Nannerl (Aimie Atkinson) are toured around the Royal courts of Europe as musical prodigies. But Leopold's treatment of Nannerl is even more cynical than it first appears: Once she's served her purpose in pushing Wolfgang to greatness, she's to be ditched from the act and married off.

Theatre review: Chiaroscuro

After the explosion of new female artistic directors of London theatres earlier this year, this month sees the start of them all debuting in their new roles with productions that will inevitably be seen in part as a mission statement. It's something Lynette Linton acknowledges at the Bush: It's overwhelmingly a new writing venue but being the opener for a new regime can put a different kind of pressure on a premiere so I can understand Linton's motives for kicking off with a revival. In her introduction to the show, the director says she wants an ongoing theme at the Bush to be the stories of queer women of colour, so Scottish Poet Laureate Jackie Kay's 1986 play Chiaroscuro fits the bill. Meanwhile integrating the music that formed part of the play, so that the women performing are also making their own music - something that becomes integral to the play's themes - gives the show its own identity.

Theatre review: The Stripper

Theatrical memes seem to take turns - the spoon-playing looks to have pretty much passed the baton to the elaborate coup de théâtre meme now - so it's an unexpected and unwelcome return for one from the first few months of 2016, as the St James Theatre sticks strictly to the 8pm start time for shows in its basement Studio, despite the fact that The Stripper has a two-and-a-half hour running time. Pulp novelist Carter Brown adapted one of his own stories for the book of this 1982 musical with music by Richard Hartley and lyrics by Richard O'Brien - and there are moments when The Rocky Horror Show does indeed come to mind in the songs, even though the overall style has quite a different feel, going for a jazzy influence that reflects the seedy 1960s LA club where much of the action takes place.