Last seen in London in 2007, Howard Ashman and Alan Menken's Little Shop of Horrors is the Open Air Theatre's main musical offering of this summer, and if it hadn't already been a must-see for me the fact that Maria Aberg is directing definitely would have tipped the scale. And although everything that's fun about the show remains, there's certain directorial touches - and one casting choice in particular - that really make the production feel like it's been looked at with fresh eyes. The 1982 musical is based on a 1960 Roger Corman B-movie, a fact nodded at by Tom Scutt's design making the stage a drive-in cinema; but as the story's set on Skid Row and everything's run down, this drive-in is long-since closed and derelict, everything is grey and lifeless, and the scenery is wheeled on and off stage in shopping trolleys.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Howard Ashman. Show all posts
Showing posts with label Howard Ashman. Show all posts
Saturday, 11 August 2018
Thursday, 16 June 2016
Theatre review: Disney's© Aladdin®
When the Lyric Hammersmith took the frankly bizarre step of not only announcing but
also putting on sale their 2016 pantomime when their 2015 one had barely opened, I
couldn't help wondering if they were getting in quick before Disney© came to
town, in case they announced that Aladdin® would henceforth be theirs and
theirs alone to stage. After their films of Beauty and the Beast™ and
most successfully The Lion King™ became stage shows, I did wonder why
the 1992 Aladdin® was taking so long to join them, as it always seemed
very innately theatrical to me. It finally has and now comes over to the West End,
with the cartoon's well-loved original songs by Alan Menken©, Tim
RiceDAME and the late Howard Ashman© joined by a few
new numbers* from Menken with lyrics by Chad Beguelin™, who also provides the
book. Although it's years since I saw the film it's one of my favourite Disney©
cartoons so I've seen it a lot of times, and can tell this stage adaptation
sticks pretty close to the script.
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