Theatre review: The View UpStairs

The 1973 arson that killed dozens in New Orleans’ UpStairs Lounge gay bar was the biggest terrorist attack on the LGBTQ+ community before the Pulse shooting in Orlando, but ranks as something of a forgotten chapter of queer history. I’d never heard of it before this year, but perhaps it’s fitting that in the 50th anniversary of the Stonewall riots other landmark moments are commemorated, and I’ve seen the attack referenced on stage twice this year: It formed a plot point in Gently Down the Stream, and is now the inspiration for Max Vernon’s musical The View UpStairs. In the present day, entitled influencer Wes (Tyrone Huntley) buys a burnt-out building in New Orleans’ French Quarter with the intention of gutting it and turning it into the flagship store for his new fashion line. It is, of course, the building that once house the UpStairs Lounge, and when he’s alone the ghosts of the bar’s owner Henri (Carly Mercedes Dyer) and her clientele appear.

Theatre review: A Chorus Line

My sister finally gets her Christmas present from me, in February. No, I'm not terribly neglectful (well I am but it's not relevant here,) she just wanted to wait until A Chorus Line opened, and I'm pretty sure she thought it was worth the wait. The (notorious flop) movie version was one of her favourite films growing up, and now the original musical returns to the West End, setting up shop at the Palladium. Marvin Hamlisch, Edward Kleban, James Kirkwood and Nicholas Dante's shows takes us behind the scenes of a big Broadway production, reminding us that behind the big-name stars there's a chorus, often having to blend into the background but each a person with their own story to tell.