Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Mayou Trikerioti. Show all posts
Showing posts with label Mayou Trikerioti. Show all posts
Thursday, 19 January 2023
Theatre review: Allegiance
Jay Kuo (book, music and lyrics,) Marc Acito & Lorenzo Thione's (book) Allegiance had a relatively brief Broadway run a few years ago, but its original star, the beloved queer elder and Star Trek icon George Takei, whose own family partly inspired the story, has remained a staunch supporter of the project. He's evidently been instrumental in its getting a London transfer - so much so it's been rebranded as George Takei's Allegiance for its run at Charing Cross Theatre. It's not surprising that the Japanese-American actor wants the story to be widely told, as it covers a chapter of its racist past America has been remarkably good at hushing up: I'm not sure when I first heard about the internment camps for Japanese-Americans but it must have been a couple of decades after I first learnt about the Second World War. I guess having American movies control much of the way that story's told makes it easy to leave out inconvenient facts.
Saturday, 14 February 2015
Theatre review: Man
The Young Vic's smallest studio is definitely the place to go to see the latest award-winning new directors' work - this time it's the Genesis Future Directors Award that's back at the Clare, with Finn Beames this year's recipient for his production of three Tennessee Williams shorts, collected under the title Man. And the Young Vic's definitely the right place for it, as Beames seems to have drawn inspiration from a number of last year's main house hits there, most notably A View From The Bridge. The recent trend for stripped-back Williams that I've been enjoying continues here in Mayou Trikerioti's design of black, white and grey, the centrepiece of the traverse stage being a huge, shiny black frame that slides across the set to provide sometimes a window frame to look out onto unseen but crucial events; others a literal or metaphorical obstacle between the characters.
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