Not actually the story of Mr and Mrs Gling’s son Daniel, Abigail Hood’s Dangling is inspired by missing persons stories, and particularly by the families left behind, not knowing if they’ll ever have closure on what happened to their loved one. Hood herself plays Charlotte, a prostitute hired by Greg (Jasper Jacob,) to dress up like his missing teenage daughter. He doesn’t actually want sex from her, but his actions don’t exactly help quash rumours that his daughter ran away because he abused her; nor does an accusation by some of her friends, whom he claims he was only talking to as a way of feeling close to the missing Carly. The real reason for Carly’s disappearance is never revealed, and Hood’s play leans towards Greg’s innocence, but these London-based scenes alternate with another story set in Oldham, and here the reason why a young girl might want to vanish without a trace is made all too clear.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Philip Duguid-McQuillan. Show all posts
Showing posts with label Philip Duguid-McQuillan. Show all posts
Tuesday, 15 August 2017
Thursday, 28 November 2013
Re-review: Jumpers for Goalposts
If Jumpers for Goalposts was worth travelling all the way to Watford for when if first opened - you can read a brief synopsis in my original review here - Shepherds Bush is certainly not too far to go for a repeat visit, as Tom Wells' play arrives in London triumphant after a national tour. I've been recommending this play left right and centre (forward) since I heard it would be coming to the Bush, and it seems I've not been the only one because the run had almost sold out and been extended long before performances here even started. If you weren't one of the people who took that advice the first time round, get in there quick now while there's a few dates still available, because a repeat visit only confirms what a little gem of a show this is, and a more intimate space only improves the experience.
Saturday, 13 April 2013
Theatre review: Jumpers for Goalposts
Andy Rush must have really impressed the creatives on The Kitchen Sink - he's barely out of Hello/Goodbye, helmed by that show's director Tamara Harvey, when he crops up in writer Tom Wells' latest play. Watford, where Jumpers for Goalposts premieres for Paines Plough with the intention of subsequently touring, is further than I like to travel for theatre but Wells' past work's been so good I was tempted to make the trip even before other bloggers insisted I must. Set around a gay and lesbian five-a-side football tournament (soccer to Americans and other aliens) it follows a team whose self-deprecating name, Barely Athletic, conceals a rabid desire to win - at least on the part of head coach and team captain Viv (Vivienne Gibbs.) The manager of a local gay pub, Viv has put a team together from a couple of regulars; and as her sister has recently died, she's also recruited as "token straight" her brother-in-law Joe (Matt Sutton,) in the hope that the distraction will help him cope.
Subscribe to:
Posts (Atom)