Theatre review: Dear England

I said a few weeks ago that the National had managed a bit of a coup by scheduling probably the two most bankable British playwrights at the moment to premiere new work at the same time in its main houses. And if it was Jack Thorne in the Lyttelton, with a play that's already announced a West End transfer, then it must be James Graham in the Olivier, with a play that's bringing in audiences that don't often come to the theatre, and seems likely to have a future life of its own as a result. Dear England is a play about football, so Rupert Goold is the obvious choice of director - I could say it's because he made his name with a dynamic, physical visual style that suits a sports story but let's face it, it's because when he took over at the Almeida he waxed lyrical about how handy his new office was for Arsenal home games, as much as anything he had to say about the theatre itself.

Theatre review: The Duchess of Malfi

Shakespeare's Globe serves up a feast for the eyes and a torture for the back and buttocks as it finally unveils the new Sam Wanamaker Playhouse. The much smaller indoor companion to their summer theatre launches its first season with the best-known tragedy by Jacobean nutter John Webster, The Duchess of Malfi. The titular Duchess (Gemma Arterton) is a young widow, who secretly marries her steward Antonio (Alex Waldmann) and has three children with him without almost anybody noticing. The Duchess has a pair of psychotic brothers, her jealous twin Ferdinand (David Dawson,) who is inappropriately possessive of his sister's virtue, and the oily, hypocritical Cardinal (James Garnon.) When their spy Bosola (Sean Gilder) brings them news of their sister's secret life, they plot a cruel, brutal and, this being Webster, generally batshit fucking insane punishment.

Theatre review: Chimerica

PREVIEW DISCLAIMER: I really don't remember booking a preview performance for this, but think the press night might have been brought back after I booked; it's now next week.

Lucy Kirkwood's Chimerica opens at the Almeida complete with three cast members (Benedict Wong, Andrew Leung and David Tse) from Hampstead's just-ended #aiww¹, and like that play it looks at the rise of China and how the ruling party treats those who don't toe the line. But as the title suggests this time there's two nations being thrown together, and at the heart of Kirkwood's new play is the relationship between China and America, and how the two nations view each other. Spanning 23 years over two continents, and coming in at over three hours, this is an epic in more ways than one. Set during last year's US Presidential election campaign, the action is haunted by the deaths of protesters in Tiananmen Square in 1989, and especially by that day's best-known image of a lone man standing in front of a row of advancing tanks.