In an unpredictable year for theatregoing the Donald and Margot Warehouse has proven the most disaster-prone for me personally: We're now up to two shows I had to reschedule because the company had Covid; one I had to miss entirely because I had Covid; and one that had Kit Harington in it. Now, a couple of weeks after I'd initially planned to, I'm getting to see a show that follows a major pre-lockdown trend of plays that rewrote, reinvented or deconstructed Ibsen's proto-feminist classic A Doll's House, a play that famously caused an international scandal when its heroine, Nora, walked out of the door at the end. The title of Lucas Hnath's take on the story, A Doll's House, Part 2, gives away that his approach is to write a sequel: 15 years after she dealt with an unhappy marriage by walking out on her husband and children, Nora Helmer is back.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Azusa Ono. Show all posts
Showing posts with label Azusa Ono. Show all posts
Tuesday, 12 July 2022
Theatre review: A Doll's House, Part 2
Previously, in A Doll's House...
In an unpredictable year for theatregoing the Donald and Margot Warehouse has proven the most disaster-prone for me personally: We're now up to two shows I had to reschedule because the company had Covid; one I had to miss entirely because I had Covid; and one that had Kit Harington in it. Now, a couple of weeks after I'd initially planned to, I'm getting to see a show that follows a major pre-lockdown trend of plays that rewrote, reinvented or deconstructed Ibsen's proto-feminist classic A Doll's House, a play that famously caused an international scandal when its heroine, Nora, walked out of the door at the end. The title of Lucas Hnath's take on the story, A Doll's House, Part 2, gives away that his approach is to write a sequel: 15 years after she dealt with an unhappy marriage by walking out on her husband and children, Nora Helmer is back.
In an unpredictable year for theatregoing the Donald and Margot Warehouse has proven the most disaster-prone for me personally: We're now up to two shows I had to reschedule because the company had Covid; one I had to miss entirely because I had Covid; and one that had Kit Harington in it. Now, a couple of weeks after I'd initially planned to, I'm getting to see a show that follows a major pre-lockdown trend of plays that rewrote, reinvented or deconstructed Ibsen's proto-feminist classic A Doll's House, a play that famously caused an international scandal when its heroine, Nora, walked out of the door at the end. The title of Lucas Hnath's take on the story, A Doll's House, Part 2, gives away that his approach is to write a sequel: 15 years after she dealt with an unhappy marriage by walking out on her husband and children, Nora Helmer is back.
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