Theatre review: Jess and Joe Forever

When a 9-year-old girl is caught spying on a group of skinny-dipping boys, they make fun of her until the smallest of the boys, and the only one wearing swimming trunks, distracts them by jumping out of a tree into the water. It's a little kindness that'll develop into a friendship over the next few years. Two young adult actors give convincingly wide-eyed and halting performances as the titular characters of Zoe Cooper's Jess and Joe Forever. Jess (Nicola Coughlan) is the city-girl daughter of a rich couple who've bought a cottage in a remote part of Norfolk just so they can send her there with the au pair for a couple of weeks every summer to "learn how to have a childhood." Her real holiday will be with them straight afterwards, for quality time and to brush up on her Italian language skills.

Theatre review: As You Like It (Southwark Playhouse)

Southwark Playhouse's productions of Shakespeare are few and far between, but when they do tackle him - that hipster Shrew a few years back was a memorable one - they deliver.


I'm hard to please when it comes to As You Like It: As the first Shakespeare comedy I ever saw it's the one that made me fall in love with them, and I - unfairly, and involuntarily - tend to judge how well the lines are played against past favourites. But I hardly found myself doing that at all during Derek Bond's production, which has its own take on the comedy, and is hard to beat for heart and pure silly joy.

Theatre review: Microcosm

Up-and-coming playwright Matt Hartley takes us to a hot, stuffy summer in a desirable part of London in Microcosm. At least, the area seems desirable when Alex (Philip McGinley) and his girlfriend Clare (Jenny Rainsford) move in, money left in his grandmother's will having meant Alex could afford somewhere nicer than a young couple might otherwise expect. But the suburban dream doesn't last long, and as well as an overly friendly neighbour who won't leave him alone, Alex is soon making enemies of a local gang of teenagers: Coming from a small town, it's not in his nature to stand by and ignore problems, so when one of the kids speeds on his motorbike down the residential road he confronts him - and finds himself targeted by a gang throwing bricks through his windows and posting turds in his letterbox.

Theatre review: Floyd Collins

In 1925, after going alone into a particularly deep cave in Kentucky, gold miner Floyd Collins got trapped underground. The rescue attempt became national news, with a media circus camped outside the cave entrance. Southwark Playhouse's Vault is a large, dark, damp railway tunnel that splits into two narrower tunnels, and James Perkins' design is the first I've seen there not to cover this up and instead to utilise the depths ahead. Visually, this show is a great match to the space and offers, for free, the kind of breathtaking set the biggest-budget West End show would envy, easily conjuring up the intimidating underground spaces the story takes place in. But Floyd Collins is a musical, and here we stumble on one of the biggest problems with Derek Bond's production: Since seeing Parade here I've doubted the suitability of staging musicals in a space with such dodgy acoustics and sadly Floyd Collins only confirmed this for me.