Stage-to-screen review: An Ideal Husband

With London theatres now closed for the foreseeable future the focus has very quickly shifted to how those of us who spend far too much time there can get our regular fix from home. Streaming quickly jumped in to take the strain and there should be plenty of culture available soon with the BBC planning a whole online festival, and a number of individual recordings starting to show up. In the meantime there's also a few existing platforms available; Marquee TV is one I only heard of recently, and which seems to lean heavily on the side of opera and dance, so its theatre offerings consist almost entirely of shows I've already seen. Their library does include almost all of Classic Spring's Oscar Wilde season from 2017-18 at the Vaudeville, including one installment I skipped at the time, An Ideal Husband. Jonathan Church directs a Wilde play with a more overtly political slant than most.

Theatre review: The Audience

Possibly inspired by her own initials, Helen Mirren has carved out a niche for herself playing Queens of England, particularly the current one. Peter Morgan's award-winning film The Queen focused in part on her relationship with Tony Blair, through the weekly audiences the monarch holds with the Prime Minister. This is what Morgan expands on in his new stage play - leaving Blair himself behind, he looks at eight of the other people to have held the post during the Queen's reign, and how she might have got on with them during The Audience. Mirren reprises her role as well-known stamp model Elizabeth Windsor, and a high-profile cast join her as the procession of PMs in what are, of course, encounters completely imagined by Morgan - exactly what is really discussed at Buckingham Palace on Tuesday evenings remains strictly confidential.