Theatre review: Finishing the Picture

Arthur Miller must have spent half his life being asked to write about Marilyn Monroe, and in his final play he did. Finishing the Picture may take place on the set of an unnamed 1961 film with fictional creatives, but there’s little question what the inspiration is: The film is the famously troubled The Misfits, the safari-suited director Derek (Stephen Billington) is John Huston, and the screenwriter Paul (Jeremy Drakes,) married to the unpredictable leading lady, is Miller himself. We never see Kitty, the film’s star, but she’s all anyone talks about. The production is nearing the end of its filming schedule – and budget – and the new producer, Philip (Oliver Le Sueur,) has flown in to see what’s holding up the final scenes. These all require Kitty, but she refuses to leave her trailer; even on the rare occasions she’s attempted to perform, the camera’s easily picked up how heavily sedated she is so the footage is unusable.

Theatre review: Don't Sleep There Are Snakes

It's been a few years since their last Arcola residency and now minimalist theatre company simple8 resurface at the Park's main house. This time Sebastian Armesto and Dudley Hinton have gone - in another bit of déjà vu after Complicite's The Encounter - into the Amazon jungle with Don't Sleep There Are Snakes, based on Daniel Everett's book about trying to convert a remote tribe to Christianity. Dan (Mark Arends) is chosen as the missionary to the Pirahã because he's also a linguist, and nobody has ever been able to penetrate the Pirahã's language before. After a few false starts - not least of all them trying to kill him after he tells a local trader not to give them alcohol - he actually manages to understand the tribe's language, and the way it's tied in to their unique way of life leads him to some radical conclusions about linguistic theory.