Theatre review: The Jew of Malta

Ever since I first read Christopher Marlowe's The Jew of Malta a few years ago I've been keen to see it on stage; not necessarily because of its virtues as a piece of writing, but to see how a 21st century production would cope with the aggressive antisemitism and racism that is even more at the heart of this story than it is in The Merchant of Venice. I thought it might crop up on the fringe at some point but in the event it was one of the country's biggest companies that took on the challenge, with Justin Audibert getting a baptism of fire on his RSC directing debut. The solution he's come up with is an interesting one, particularly in light of the fact that Merchant's LOLantisemitism attitude is often dealt with by ramping up the play's dark side: The opposite happens here, Marlowe's bloodthirsty and vicious revenge tragedy revealed as a black comedy.

Theatre review: Volpone

In an RSC summer season that's focusing on often dark issues of prejudice and outcasts, it falls to Ben Jonson to provide the madcap comic relief, as Trevor Nunn returns to Stratford-upon-Avon to revive one of Jonson's classic con-men in Volpone. Henry Goodman plays the immensely rich Volpone who - as the stock tickers dominating Stephen Brimson Lewis' design suggest - made his fortune on the markets. But he's hungry for more riches and wants to have some fun acquiring them, so he turns other people's greed against them: Pretending to be on his death bed, he lets it be known that he has no heir, and soon there's a queue of people at his door bearing gifts, all in the hope of being named in his will. As his pile of gold gets ever-bigger, he also sets his eye on Celia (Rhiannon Handy,) wife of one of his victims, Corvino (Matthew Kelly.)