Theatre review: Volpone

In an RSC summer season that's focusing on often dark issues of prejudice and outcasts, it falls to Ben Jonson to provide the madcap comic relief, as Trevor Nunn returns to Stratford-upon-Avon to revive one of Jonson's classic con-men in Volpone. Henry Goodman plays the immensely rich Volpone who - as the stock tickers dominating Stephen Brimson Lewis' design suggest - made his fortune on the markets. But he's hungry for more riches and wants to have some fun acquiring them, so he turns other people's greed against them: Pretending to be on his death bed, he lets it be known that he has no heir, and soon there's a queue of people at his door bearing gifts, all in the hope of being named in his will. As his pile of gold gets ever-bigger, he also sets his eye on Celia (Rhiannon Handy,) wife of one of his victims, Corvino (Matthew Kelly.)

Theatre review: Wild Swans

Jung Chang's memoir of three generations of women in Maoist China, Wild Swans has been a blockbuster book for 21 years. It now gets its first stage adaptation by Alexandra Wood, directed by Sacha Wares. The book is by all accounts a bit of an epic, but instead of trying to recreate that the creative team has opted to pare it down to 90 minutes, creating an explosion of colour that looks like a carnival but actually reveals the fear, hunger and crushed idealism underneath it. Yu-Fang (Julyana Soelistyo) had her feet bound as a child, and in her teens was forced to become the concubine of a warlord. When the Communists take over, this "privileged" past is still held against her and her family.