While Peter Gynt has a stint up at the Edinburgh Festival the National does a straight swap, with the Sydney Theatre Company’s visiting production of The Secret River coming to the Olivier for a couple of weeks’ run (minus its narrator Ningali Lawford-Wolf, who died suddenly during the Edinburgh run; Pauline Whyman has been flown over to read in the role.) Andrew Bovell’s play adapts Kate Grenville’s novel about the bloody origin story of modern Australia, one that mirrors the treatment of the Native Americans but is arguably less well-known internationally. William Thornhill (Nathaniel Dean) has had his death sentence for theft commuted to transportation, and his wife Sal (Georgia Adamson) and sons have followed him to Australia. Once his sentence is up, Sal wants them to go straight back to London but William asks her to wait five years so they can build up enough money through farming to return in more comfort than they left.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Andrew Bovell. Show all posts
Showing posts with label Andrew Bovell. Show all posts
Wednesday, 28 August 2019
Tuesday, 20 September 2016
Theatre review: Things I Know to be True
Frantic Assembly use their signature physical style on an unlikely genre, the family
melodrama, for Australian playwright Andrew Bovell's Things I Know to be
True. The title refers to a mental list kept by Rosie Price (Kirsty Oswald,) a
young woman on her gap year in Europe, who gets fucked in more ways than one by a
handsome Italian and, heartbroken, makes an early return to suburban Adelaide and
her parents Fran (Imogen Stubbs) and Bob (Ewan Stewart.) The baby of the family,
Rosie's list is of comforting things about her family and how she'll always know
where she stands with them, so of course she's barely back before it all starts to
change. Eldest brother Mark (Matthew Barker) has been dumped by his long-term
girlfriend due to a crisis he's not yet shared with the others, while Ben's (Richard
Mylan) big-spending lifestyle is clearly leading to trouble.
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