Theatre review: Appropriate

Branden Jacobs-Jenkins has been an up-and-coming name in American playwriting in the last couple of years – I personally liked An Octoroon, if not as much as everyone else seemed to, while being less convinced by Gloria, but it was hard to deny the obvious potential. For my money this is the one where that potential is realised (albeit in a play written five years ago,) as the Donmar Warehouse stages the UK premiere of Appropriate. On the surface this is the playwright’s most conventional play to date, being his take on That American Play Where An Extended Family Gets Together After A Long Time, Preferably At Thanksgiving But That’s Optional. Six months after the death of their reclusive father, the Lafayette siblings and their families go to his plantation house in Arkansas; he was a hoarder who left half a million dollars in debt, so they have a lot of work to do clearing the place up so that his belongings can be sold in an estate sale, and the house and land sold at auction.

Theatre review: The Woods

A fairly common thing on film, the ability to create the feel of a dream - or particularly a nightmare - on stage is rarer, and something I always find impressive and quite transfixing when someone gets it right; so Lucy Morrison's production of The Woods kept my attention even as it became apparent that Robert Alan Evans' play itself was going to be a frustrating affair. Shuffling around in a dirty summer dress, Future Dame Lesley Sharp's nameless Woman is simultaneously a young mother and an ancient crone of the wilderness, who comes across a Boy (Finn Bennett) unconscious in the woods and drags him to safety in a shack that she gradually has to pull apart to feed a fire to keep him warm. Nursing him back to health and feeding him, she's desperate to keep the boy safe while also resenting him; and somewhere in the trees lurks a charismatic Wolf (Tom Mothersdale,) who tries to tempt her away in various guises (including that of Uma Thurman in Kill Bill, for some reason.) Possible spoilers after the text break, although personally I felt a lot of what I discuss was laid out too early in the play to really be considered much of a twist.