Theatre review: Dickens Abridged

I wasn't sure if I was going to bother with Dickens Abridged, in which Adam Long of the Reduced Shakespeare Company gives the same treatment to another of England's best-loved writers. This was largely because unlike Shakespeare, Dickens isn't a particular favourite of mine, so although I'm as familiar with the broad strokes of his stories as anyone, I'm not interested enough to get every in-joke. But there was a GILT offer for the show, and there's worse ways to start the year than a bit of Jon Robyns. Not that bit of Jon Robyns - that would be one hell of a start to the year. No, he's fully-clothed as one of a five-strong cast who, through songs and sketches, do a 100-minute run-through of the life of Charles Dickens, as well as some of his best-known stories (what with all the short stories and Boz sketches on top of the novels, the show makes no claim to present the complete works.)

Theatre review: Merrily We Roll Along

Maria Friedman has a long association with Stephen Sondheim's work as a performer, and she now has a go at directing his work as well, with Merrily We Roll Along coming to the Menier Chocolate Factory as the big winter musical (Sondheim at the Menier presumably considered a safer bet after last year's crack dream.) Merrily, like Pinter's Betrayal, is famous as "the one that takes place in reverse." At a California beach house in 1976, we meet Frank (Mark Umbers,) a hugely successful composer of musicals and movie scores. The financial success can't disguise the personal failure though - his second marriage is on the rocks thanks to an affair with the star of his new film (Zizi Strallen - I would say I've now got a full set of Strallen sisters seen on stage, but I've heard there's further models in production) and his wife's going to react in the strongest way to the betrayal.