PREVIEW DISCLAIMER: Despite already having had a full run in Bath, this doesn't seem to have invited the newspaper critics in yet.
A comedy about the Restoration, as opposed to a Restoration Comedy, although we do
see something of that genre's creation in The Libertine, a 1994 play by
Stephen Jeffreys first seen at the Royal Court and now getting a West End revival
from Terry Johnson. George Etherege's best-known work The Man of Mode* is
reputed to have been based on the real-life 2nd Earl of Rochester, John Wilmot, and
it's Rochester (Dominic Cooper) that Jeffreys puts centre-stage, a favourite of
Charles II (Jasper Britton) which is probably the only reason he managed to avoid
execution. A regular at London's playhouses, except when he's been banished to the
country for pissing off the king, at the start of the play Rochester returns from
one such involuntary trip to find a new actress in town: Lizzie Barry (Ophelia
Lovibond) is routinely booed off the stage for what, compared to the highly stylised
acting style of the time, seem like incredibly unenthusiastic performances.
Writing down what I think about theatre I've seen in That London, whether I've been asked to or not.
Showing posts with label Nina Toussaint-White. Show all posts
Showing posts with label Nina Toussaint-White. Show all posts
Thursday, 22 September 2016
Thursday, 6 June 2013
Theatre review: Race
At some point David Mamet must have decided that dealing with a single inflammatory topic in 85 minutes wasn't enough for him, hence Race which covers both rape and racial politics in a legal drama that never actually sets foot in a courtroom. Following an ongoing sexual relationship with a much younger black woman, white millionaire Charles Strickland (Charles Daish) has been accused by her of rape. Having left his original lawyer, Strickland turns up at the offices of Jack Lawson (Jasper Britton) asking him to take on his case - the fact that Lawson's business partner Henry Brown (Clarke Peters) is black will, he hopes, stand in his favour with the jury. The lawyers aren't keen to take him on but an error by Lawson's protégée Susan (Nina Toussaint-White, who regenerated into River Song on Doctor Who) sees them legally bound to represent him. The race is now on to second-guess how the case's racial makeup will affect the jury, and find the one piece of evidence so compelling it'll override it.
Subscribe to:
Posts (Atom)

